What Do You Love and Hate About Self-publishing?

on Thursday, May 31, 2012

That’s a question to which you’ll need to supply the answers, of course. To get you started, here are my own views.

So, do I get the 'hates' out of the way first, or inspire with the 'loves'?

Let's make it a 'love' sandwich.

I love the freedom self-publishing gives me as a writer, allowing me to select all aspects of my books, so that they really are my products in as many ways as possible. I have the final say over the text, the content, the layout, font, length and the cover illustration. I can choose my titles and not have some marketing accountant interfere because he thinks another would sound more enticing.

And that's the real issue, I suppose. I get to publish what I want, not the mish-mash that some bean counters would have me publish. Because, make no mistake, in traditional publishing the accountants are the ones who have the final say about what is and is not published. And this, in spite of the fact that they have frequently rejected books that have later gone on to be best sellers. Men who care more about profits than about artistic honesty and integrity are not the people I want dictating how my books should look and what they should contain. Publishing has grown to be too much like modern football: all about profit and very little to do with the activity itself.

So, what do I hate? Marketing. I don't want to spend my time as a salesman. It's not a natural role for me. And I speak as one who has sold for a living on more than one occasion. I worked as a shop manager for a few years and I worked as representative for a company selling photographic printing services to shops for a year. That year almost killed me. The whole process requires a level of dishonesty I'm incapable of sustaining, even should I wish. I was selling a product that was sub-standard and I had no faith in it. It was a role I left as soon as I found an alternative method of earning my daily bread.

Of course, selling one's own work is a different matter, in that one has faith in the product. But, that apart, the actual process of selling is something alien to my personality and philosophy. It isn't that I have some subconscious problem with making money from my work. That isn't the issue. We all tend to judge others by our own standards and habits. For me, shopping for anything is a matter of discovering which product suits my needs and then finding a place that I trust where I can obtain it for a reasonable price. I'm not an average shopper, as I find the whole process of buying things something of a necessary evil. It's definitely not a social activity for me. I don't enjoy the process. And the aspect of shopping I most dislike is having some sales assistant trying to sell me something I don't want.

As a result of these feelings, I find myself reluctant to 'force' my work onto others. I'd prefer them to discover for themselves the delights to be had between the covers. I know that this is not practical or even wise if I'm to maximise my income from my books. So, I compromise in ways that I'm able. I place my books on sites that people visit frequently, I write this blog on matters that I hope will attract attention, I use the social networks to increase my 'visibility'. And I offer my work free from time to time so that readers can sample my writing and hopefully feel inspired to write reviews. Reviews sell more indie books than almost anything else.

What I'm not prepared to do is spend my precious writing time on marketing the work. I hope people will enjoy my books and, over time, will spread the word. Unrealistic? Possibly. But it's how I am. In the good old days of traditional publishing it was actually possible for an author to remain entirely hidden and for his writing to be the only thing known about him by his readers. That situation no longer obtains and, as in so many other aspects of life, I have compromised in order to attract some attention. But there is a limit to what I'll do in this regard and, if that means I don't make the best-seller lists, so be it. I'm not about to sell my soul in order to gain more readers.

The other real advantage of self-publishing, the other aspect I love about it, is the freedom it gives the writer to choose the subject matter and style of writing; what is generally termed 'genre' in the trade. With traditional publishing, the agent and the editor tend to confine the writer to a specific area of writing. So, you become known and labelled as a 'crime writer', a 'fantasy writer', a 'romance writer' and traditional publishing does everything in its power to restrict authors and prevent them straying from the field of activity they see as suitable for the writer. In reality, the field they expect to make the most money from.

Well, I have many subjects I wish to explore and many different types of story I wish to tell. If I wish to write a romance and then follow that with a science fiction thriller and then an epic fantasy, I'm free to do that as a self-publishing writer. I have the freedom of choice.

For me, that freedom is paramount. I’m a creative artist and I don't intend to allow the false restrictions of the perceived market place and the Great God Profit to confine my creative spirit and strangle my individuality by forcing me to write in any particular vein. I accept that I will not make as much money as I might under the guidance and governance of a publisher and agent, but I will remain artistically true to my own standards and interests. That's my choice as an author. I have no responsibility to anyone but myself and my readers.

In the end, it comes down to what the individual regards as success. For the majority, that quality is measured in cash returns. For me, it’s measured in the work itself. I write the best I can and leave it to readers to decide whether they like that work enough to recommend it to others. It's a slow and uncertain process of growth in an overcrowded field full of poor and generic work hyped for the consumption of the majority. But it's my choice. Not the imposed direction of some accountant. And that's why I love self-publishing.

Does that mean I would reject any offer from an agent or a tradition publisher? Not necessarily. I’d examine what was on offer and if it suited my way of doing things, I’d consider it. But if it involved me in what I consider unreasonable and harmful restrictions, I'd turn it down, regardless of the amount of money on offer. I realise that makes me a fool in the eyes of many, if not most, but it's how I feel about the whole business.
I am, first and foremost, a creator. I'm not some sort of profit generator to be moulded and distorted by the needs of the market place.

My position is that readers either like my work and buy it or they don't. That's their choice and I'm willing to live by that ideal.

So, how do you feel? What are your loves and hates about self-publishing? The comment space below is easy to use to make a contribution, so let’s have your words, please.

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Read My Novel, Free: Chapter 19

on Friday, May 25, 2012

Still here? Still enjoying this story? I certainly hope so.  A word of warning: this chapter contains explicit sexual activity.

I posted Chapter 1 on 13 January. Following chapters have appeared each Friday. You can find them via the archive; just search for the chapter you want to read. And the whole book will eventually be posted here.


Read, enjoy, invite friends to join us.

Chapter 19

I’d never had sex like it. Netta was something else. I’d fallen in lust with her even before she revealed that wonderful body so spectacularly.
Netta was sex incarnate; carnal, libidinous, licentious and wanton. I never, ever fooled myself that we made love. We had sex. But what sex. The chemistry was explosive. I could perform with her four or five times a day and still want more. And she was adventurous; happy to experiment for my delight as well as her own. In sex, she was totally unselfish and generous. In every other aspect of her life, she was self-centred and uncaring. I knew that but I was still lost to her within hours of meeting and I never could get enough of her. And when I discovered how much the camera loved her form and face, I was lost. Netta became, from the first, my obsession.
A brief conspiratorial look passed between her and Matilda, which sent her mother quickly up the stairs after Faith.
‘It isn’t that I mind being watched, but with an expert like Mum I’d feel I was being awarded points.’ Her laugh was rich and earthy with none of the offence so common in coarse women.
She removed my slippers and socks, her hands gentling my skin as she slid the wool from me. ‘The joke about English men is true, and I don’t think it enhances the pleasure one bit, do you?’
I smiled.
She stood astride me and bent to kiss my mouth. One of my hands found a breast beneath the flare of her dress, the other played across her abdomen and thighs, circling the area exposed rather than concealed by the short blonde hair she’d shaped into a heart. She responded to my touch at once, clearly finding pleasure in it. Her fingers stroked my hair and played about my ears as I discovered the weight of her breasts, the firmness of her proud nipples and, as I entered the small copse, the warm moistness at the edges of her rounded lips. She moved her hips a fraction and I found the place she wanted me to touch with finger tip softness. She freed me from restrictive clothing and, as she sat astride me and enclosed me, she was already coming, her head thrown back, her breath in short ecstatic gasps.
This was no act for my benefit; I could feel the rhythmic contractions wrap around me as I moved slowly within her. My hands moved to her firm round buttocks where I held her close so that our pubic mounds stroked together. She found my mouth with hers and pushed her warm insistent tongue inside until I persuaded mine into her mouth and touched her teeth and cheeks. Still she throbbed and pulsated round me as I slowly moved within her. We moved as one until it was impossible to say where I ended and she began. I felt her come again and this time she gave voice in short sharp moans of pleasure. I let her run the course before I lifted us, still joined, and lay her on the rug beneath me.
I slipped my hands along the full length of her body, shedding the dress with the movement, and she lifted her head to allow me to remove it completely. Resting on my elbows, I cupped each fine breast in turn. My hands moved to her shoulders and I bent and took each nipple in turn between my tongue and teeth, teasing it and gently sucking. My gentle motion in between her thighs had her hips moving to meet me, her legs wrapped around mine to draw me closer to her. I felt her move toward another climax and this time I wanted to go with her. Thrusting hard and fast, I let the passion overtake me now I knew that she would come. I felt that first stirring deep within me and wanted it to build and last. I slowed my movements without pausing. Even through her building climax, she responded to my needs and helped me, moving more gently. As the point of no return approached, I thrust again with passion and abandon and felt her with me. We came together in an ecstasy of motion, sound and touch that left us spent and gasping.
Still coupled, we lay together in the warmth of the dying fire and gently stroked the skin that we could reach without shifting our relaxed bodies.
In the bedroom, she took off the rest of my clothes and urged me to the bed. With her hands and breasts and tongue she aroused me, straddled me again. I tried to clutch her to me and take her high again but this time was for me and she clasped my hands to her breasts with hers as she rose and fell to let my whole length slip inside and to the very lips and back again with each movement. I arched to reach up and go with her but she lifted higher and I let her have her way, let her take me as she would. Her timing was intuitive so that when I felt my climax building, she slowed her movement, holding me on the very brink. Seven times she took to me to the point where I was nearly past control and each time she slowed almost to a halt and let me stay a while longer on that high plateau where everything was sensation. On the final climb, she lowered herself toward me, freed her breasts from my hands and brushed them softly on my chest with each fall and rise of her hips. I felt the build toward release and, as I came, she closed herself around me and with short, swift movements, took me to the mountaintop. I arched and stretched and filled her, felt the moment take her and she came again with me. It seemed forever there was nothing but we two locked in passion, floating high above all, feeling everything and knowing nothing else.
We slept some time after that. I woke to find the bedroom light still blazing, Netta lying on her back beside me with her hands thrown out above her head, her near leg touching mine and her other bent at the knee. A portion of the duvet covered one breast and the half of her that lay beside me. I shifted it to cover her and she stirred and placed my hand on her mound of Venus. My lips kissed all along her arm as I rose above her. I kissed and tongued along her to those firm, protruding buds and took each into my mouth whilst my fingers stroked the warm moist gap between her lips, my other hand caressing her ear. She shifted to give access and I knelt between her thighs. My hands stroked her flanks and body as I kissed my way across her breasts and abdomen and found her entrance with the tip of my tongue. I knew I had the spot as she rose to meet me, spreading to allow more contact with my tongue. I cupped and stroked her breasts and nipples with my hands and fingers, teasing with my thumb and finger, rolling each pink tip and stroking gently upward from base to tip. My tongue tasted her pleasure, moved up and down along the small hard nodule of her, brought her to the first delicious climax. I held her, floating, floating, as waves washed over her and soaked her skin in pleasure. I kept the rhythm soft and gentle, feeling her response as a second sea washed over her, waves moving her rhythmically in an ecstasy I shared. Again, I kept her floating, as the swell became a calm, and slowly moved my tongue to penetrate the warmth and softness of her centre as my hands caressed her body and enclosed her hips in readiness. I rose up from between her thighs and kissed the full length of her body. As my mouth found hers and my tongue pushed between her lips, I entered her and thrust my full length deep within her, lifting her toward me with my hands cupping the round swell of her buttocks. I felt again the closeness as she wrapped herself around me, felt again the building rhythm of her climax. This time was still hers and I held back until she cried in passion and surprised delight, her body arching up, her head thrown back, her mouth wide open for the air. I let her breathe, as I remained a slow and gentle pressure deep within her, barely moving, stroking her hard nodule of delight with the firm base of my member. She began to rise again and this time I went with her. I thrust my full length, almost leaving her each time I plunged and rose, driving hard and fast within her as she gasped and writhed and held my buttocks to prevent me breaking our connection. I felt the moment of release arriving and gave in to the pressure and released myself within her as she came to meet me and we peaked higher than we’d reached before. I heard her voice cry out with mine and knew an ecstasy and pure delight I hadn’t known was possible.
We didn’t part but lay there spent and without want or need until the passion slept and took us with it into dreams that were mere shades of that reality.
Morning found her at the bedroom window, uncovered, gazing at the falling rain, her elbows on the sill, her gorgeous bottom inviting. I slipped from beneath the cover and approached. She didn’t move as I stroked my hands along her sides and cupped her breasts. I felt her thighs part to admit me and I entered her without the need for preparation. She was moist and welcoming and let me take her as she was. I came more quickly than I wished for her sake but she was happy to be there for me.
We stayed that way for long enough for me to recover before I lifted her and took her to the bed again, withdrew from her despite her protests. I turned her so she faced me with her hips arched over the bed edge. We coupled once again and this time she came with me as I held her thighs and thrust within her depths. I kissed her body as she lay before me, stroked her skin and made her come once more before I let her go.
For a while, we lay beside each other, bodies touching, until movement and sound from outside our world told us they were up and it was time for food of an entirely different kind.
She stood. ‘Shower with me?’
We returned to the bedroom hungry for sustenance.
Netta slipped my shirt on. ‘If I come to live with you, Leigh, I want you to understand two things.’
I pulled on a pair of jeans and nodded.
‘First, I decide when I’m going to leave.’
I had my own ideas about that but I was in no mood to argue. I was happy to go along with her for now. ‘Okay.’
‘Second, you never use that crass three word excuse that dreamers always think they have to say. Sex is one thing, love is something else entirely and I’m way from ready for commitment and self sacrifice; it’s pointless anyway, tomorrow we could all be blown away.’
‘Agreed.’ I understood her anxiety about a possible nuclear holocaust but didn’t share her pessimism.
‘Good. Let’s have breakfast. I’m starving.’

###

You've come so far it's unlikely you'll stop until the end. But, just in case you're impatient for the next chapter, you know where you can buy the book. If you do, please write a review and post it wherever you can - Amazon, Goodreads, any other bookish site. Reviews are what get indie published books noticed, you see.

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It's Just Too Hot to Install a Water Butt.

on Thursday, May 24, 2012

It's a ten minute job, right, installing a water butt to collect rain water? Wrong. It should be. It's an ecologically friendly thing to do, it's good for the planet, so it should be simple.

But I failed to reckon with a basic fact of life. The back of the shed is, of course, the place for all those things that you might just need one day. They can be stored there, out of sight and out of mind, which is where I nearly was when I took a look at the proposed site for my newly acquired rain butt.

It's a mixture of jungle, scrapyard and rubbish tip back there. Out of sight and enclosed on three sides, it's a repository for so much…stuff. So, before I can attach the guttering to collect the water from the roof, I have to clear a space. The wheel barrow and the two plastic sacks of compost, one opened to rejuvenate the potted umbrella plant that's resided in the living room for 20 years, is simple enough. Then I discover that some helpful neighbourhood bird has deposited a cherry stone in the fertile soil back there. The result is a huge cherry tree that I'd never noticed, since it's doing a twisting dance with nextdoor's unidentifiable tree and the lower branches of my rather magnificent eucalyptus tree. It's no good. It has to be removed. But, before I can take the hand saw close enough to cut the trunk, I have to clear the fallen leaves of the past ten years. Now the compost bin is almost full of leaf mould, so that's a bonus for the garden later on.

The trunk is exposed and I take the saw to it. It's a relatively simple task and I drag the weed equivalent of a tree onto the lawn to lie; a sorry trophy until I can deal with it. Next, there's a large slab of rough concrete. It weighs about seven tons and measures forty foot by thirty five. Well, okay, I admit that's an exaggeration, but that's what it feels like when I try to shift it. And shift it I must, otherwise every time I approach the spot where the water butt will stand, I'll fall base over apex over this errant lump of concrete. What's it doing there anyway? Well, last year, whilst preparing the ground for the gravelled turning bay at the front of the house, I came across this flat topped lump of concrete that had once served some unknown function for the previous occupier. I managed to raise it and somehow placed it into the wheelbarrow without actually breaking my back, though it did rather bend the wheelbarrow. There was nowhere for it to go, so it ended up behind the shed. That's what you call 'planning', you see. So, now it has to be moved. But there is no other out of the way place for it to go, except, if I do a little bit of clearance, I reckon I can slide it underneath the shed, which is raised off the ground on bricks.

Before I can shift the concrete block, I need to clear away the things that are in the way of me sliding it out of the way. So, there's a small sack of white edging gravel I bought to make the patio look pretty. I'll need that for when I relay the patio later on, so it comes out to sit on the lawn. Then I discover I'd secreted a couple of those enormous plastic containers they deliver sand and gravel in, you know the things that hold around a cubic metre of product and that they never want back. One time only use; now there's an environmentally friendly use of plastic! So, they come out to join the growing pile of rubbish on the back lawn. I disturb about fifteen thousand spiders, some pretty fearsome and large, and an equal number of woodlice. Next, I come across the metal frame of an old garden bench that I'd intended repainting and refilling with wooden slats, so we might sit on it on the patio on sunny days. It consists of a couple of cast iron decorative ends joined together by a long metal rod. The original wood rotted away years ago. I figure if I haven't re-used it by now, I probably never will. Onto the lawn it goes.

There's a pile of mixed bricks, paving and household, along with some flat slabs of York stone that once formed a small feature and now lie awaiting a new lease of life. Too good to chuck out. But in the way, so they go - that's right - on the lawn. You're getting the gist now, aren't you? I forgot about the old orange plastic washing up bowl and the old brown rubbish bin, both full of lovely brown water and soaked dead leaves. Into the compost bin with the contents and the two containers, kept for reasons even I can't imagine, go - right again - on the lawn.

The space is clear. All I have to do now is fix the guttering and place the water butt on its stand and we're away and ready for the next rain.

Ah.

Guttering. Some short while ago, we had the outside woodwork on the house replaced with UPVc plastic as a way of smartening the property and reducing the need for maintenance. I asked the workmen to save me some of the old guttering, as they were replacing it, of course. I knew, you see, I'd need a short piece, about 8 feet in total, to feed rainwater into the butt. They were kind. Left me four lengths, totalling around 36 feet, along with two downpipes, some joints and brackets and other bits and pieces. They were all stored, if that's the word, on the patio.

So, out comes my trusty Black and Decker folding workbench from the garage. Of course, I have to take the car out of the garage in order to get at the workbench. I set it up, on the lawn (is there really room there?). And, in the process, manage to place my thumb between the end of one of the folding legs and the place where it sits when unfolded. Two pieces of fairly hefty metal with a thumb between; I think you can guess where the damage occurred.  I suffer, always have, from a strange condition that causes me to feel faint, even occasionally actually causes me to faint, when I attack myself in certain ways. I feel the world start to spin and, with plenty of experience, recognise that I need to place my head lower than my heart for a while or my body will abruptly do that of its own accord. So I lie down on the lawn (yes, I know, but there is room). That grass is doing great service.

Once the initial feeling has subsided, I rise slowly and grab a folding chair from the shed, plonk it on the patio and sit there with my head between my knees. A position in which Valerie discovers me as she is hanging out the washing on the outdoor airer. Sympathy and a plaster are both forthcoming. The blood is stemmed and the thumb appears still to be functional, so I continue the job. Valerie attacks the fallen cherry tree with saw and secateurs to make it small enough to fit in the recycling bin for garden waste.

I select the first piece of guttering, place it against the shed to gather measurements and see exactly how it will work. The hacksaw cuts through the plastic with ease and I strip the necessary joints and brackets from the lengths left by the workers. When all is assembled, I return to the garage to search through seventeen thousand assorted screws for the four I'll need to fix the brackets to the shed. Nine hours later, I've found four screws. Valerie holds up one end of the assembled guttering whilst I mark the spots needed to ensure there'll be enough slope to drain the water into the butt. I fix the brackets; that small electric screwdriver blessed again for its ease of use.

I clip the guttering into place and look at the spot where the butt will stand. Uneven and a little too low to get a watering can under the tap, even allowing for the stand I've bought for that purpose. So: oh, I forgot about the bag of sand I also discovered behind the shed and had to move using the wheel barrow and emptying the bag in three loads as it was too heavy to move full. Now that sand comes into its own as I spread a layer of it on the ground and then place a layer of house bricks on top. The spirit level assures me they're level in both directions and I place the stand on top. Next the butt itself is raised. All that remains is to cut the hole in the lid. Good old Stanley knife does that job, and the down pipe enters the hole and all is done and ready.

Time for lunch.

Valerie does the catering whilst I organise chairs and tables for the first time on the patio this summer. We eat.

The tools come in handy to reduce the old guttering and the several lengths of wood I'd also forgotten about that were stored behind the shed. I need them all to be short enough to fit in the back of my hatchback. The old bench frame eventually comes apart with the aid of a spanner and I fold the old plastic storage bags neatly to form a base for the rest of the rubbish in the back of the car, once I've taken out the seats.

The local recycling centre is quiet at this time of the day and I find the various deposit points for the different bits and pieces.

Back home, I tidy up the tools and have a shower. I've learned that I need to rest after any form of physical activity if I'm to be any use for the rest of the day: a legacy of 8 years of ME/CFS. So I lie on the sofa and watch the news on TV before finally coming in here to do some writing.

Only then do I remember I haven't done my usual writing piece on the blog. So, there you have it: my excuse for failing to supply you with a thoughtful piece on writing this Thursday. And, if you've got this far, all I can say is, you've got more stamina than I have!

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Gulf, by Robert A. Heinlein, Reviewed.

on Wednesday, May 23, 2012
Robert Heinlein, L. Sprague de Camp, and Isaac...
Robert Heinlein, L. Sprague de Camp, and Isaac Asimov, Philadelphia Navy Yard, 1944. (Photo credit: Wikipedia)

Gulf, by Robert A. Heinlein, is a Sci-fi adventure story/thriller, set on a future Earth and Moon, full of fascinating contradictions. The anachronisms - for example, the plot depends on the physical transmission of microfilms - ought to render it unreadable for a modern reader, but the quality of the writing and the characterisation both take it into the realm of the 'classic'.

Written in 1949, long before the computer was commonplace, although Turing had by that time already shown such a machine was a real possibility, the exclusion of this major influence on the world is a serious omission. I suspect, had Heinlein been aware of the extraordinary changes to communication encouraged by computers and their peripherals, he would have found a way to modify his story to include this aspect of modern life.

There's a good deal of philosophising in the book; much of this could conceivably be considered an analogy for Hitler's attempts to breed a pure race of Tutons. Here, however, we have the idea of a race of 'supermen' based entirely on brainpower. That, perhaps, is the least attractive part of the book. There's a singular lack of emotional content in both the characters and the philosophy many of them espouse. I gained the impression, from the large portions of author intrusion, that Heinlein was definitely on the side of the 'supermen'.

Whilst many of the ideas expressed are attractive to anyone who has a rational element to their personality, the lack of emotional content is a serious worry. Imagining a world taken over by those with the ability to reason and rationalise their way out of our most pressing problems, but lacking any emotional connection either with each other or with their intended victims, makes for a barren world devoid of the most important single quality displayed by humans: their capacity to love.

The story itself is fast moving, full of event and crammed with ideas. The central character, Gilead, is an extraordinarily capable survivor in what is often an almost incomprehensible world. His connection with and partnership of Baldwin allows the story to take on a new dimension and it is following this association that the philosophising really begins.

The denouement was both surprising and, on reflection, inevitable. I find myself recalling certain passages and considering the various messages and theories postulated by the book. I suspect this is a story that will stay with me for quite a while and one which will inform my own writing in certain ways.

So, if you're susceptible, beware of reading this book. It might give you ideas! It's an old story but, in spite of its deficiencies, one worth reading.

It has been said that in Gulf, Heinlein tackles the question, 'What is a superman?' and in answering it, makes previous answers appear muddleheaded. I'd add to that observation that Heinlein's 'superman' is the product of equal muddleheadedness. The total lack of a moral framework or an emotional component, makes his superman more a totalitarian despot than a true superhero, I think.

Nevertheless, I'd happily recommend this as a read for sci-fi and general readers alike.

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Read My Novel, Free: Chapter 18

on Friday, May 18, 2012

Still here? Stubborn, or are you really enjoying this story? I certainly hope so.

I posted Chapter 1 on 13 January. Following chapters appear each Friday. You can find them via the archive; just search for the chapter you want to read.


Read, enjoy, invite friends to join us.

Chapter 18

Saturday 24th April

‘May I call you Mother?’
‘It’s who I am but I’d prefer Mum or Matilda.’
My sister watched curiously. I took in her long blonde hair, eyes the colour of cornflowers and the secret smile forming on her full lips. I knew at once she was everything Leigh looked for in a woman and my heart checked within me, causing me to gasp audibly.
‘The papers called you “Faith,” but I’d rather use “Fay” if you don’t mind. Can’t stand all that church stuff. I’m Netta, your little sister. Only not so little as you, it seems.’
I shrugged, noncommittally. Mother, Matilda, Mum stepped forward and we embraced, a little awkwardly at first until natural affinity took over and we hugged tightly as if neither of us ever wanted to let go. It was a feeling of such warmth and belonging that I couldn’t stop the tears. When I pulled back at last, I was relieved to see telltale trails running down Mum’s made-up cheeks.
Netta was eyeing up Leigh in the same way all other women did. She was as interested in him as he was in her. So far, he’d remained a silent observer at this family reunion.
‘Netta.’ I held out my arms in what I hoped was a welcome. She approached and allowed a small hug, even kissed my cheek.
‘Hi, Sis.’
‘It sounds formal, but I’m pleased to meet you. I thought I was alone.’
There was a brief, awkward silence.
‘Look, I want to get one thing straight, Faith. Netta and I don’t believe a word of what the papers say about you and that terrible business with Heacham and Hope. And we…’
‘I’ve kept the papers away from Faith, Mrs…’
‘Matilda, please. I’m sorry. I just assumed ...’
‘I’ve only just started to read newspapers, Mum; not in the habit yet. What did they say?’
‘You know, Sis, about how you must’ve helped him rape helpless little Hope…’
Mum’s look told me they had discussed this and that Netta had broken an agreement. ‘Neither of us believes a word of it, of course. We know you must’ve been unaware.’
‘Hard to fathom, though, when you’re supposed to be the one who looked after the poor, useless thing.’
‘That’s what Leigh thinks, Netta, so you and he will probably get along fine. I’ll say it just once; once more for Leigh’s benefit. I knew absolutely nothing about what that B was doing to our sister. If I had, I would’ve killed him with my bare hands. You can believe me or not. I can’t make you do something you don’t want to. But, whatever any of you think, it’s the truth.’
Leigh looked uncomfortable. ‘I do believe you, Faith. Have done for a while.’
I was angry and hurt that such was the beginning to what I’d hoped would be a wonderful day and the start of a new and pleasant phase of my life. Leigh’s declaration was late in getting through to me and by then he was speaking to Mum and Netta. I stared at him with surprise.
‘There’s a lot you can’t yet know about Faith. I’d give her the benefit of the doubt, at least until you know her better. But, be warned, she hasn’t had the advantage of a social upbringing and she speaks the truth as she sees it, always. It’s a little alarming, and just one of many reasons I’m very fond of her.’
I wanted to hug him, but I was wary of showing that sort of affection in front of Mum until I knew her better. Her good opinion was vital to me, so I just nodded at him and gave a smile of gratitude. I wanted to get him alone to explain and thank him properly and tell him how I really felt but events conspired against me and I had no experience to guide my behaviour.
‘Shall we all sit down?’ Leigh led us from the office into the sitting room where he offered drinks.
Mum was wearing a pale blue denim skirt that was too short for someone her age, though there was nothing wrong with her legs, and a top in black cotton that displayed a generous cleavage. Netta was in the shortest pale lilac dress possible. The soft fabric clung to her large, firm breasts. I felt demure in my knee-length cotton print dress. Leigh, of course, had eyes only for Netta and Mum.
We talked around things rather than about them, to begin with. I learned about the small bungalow they lived in and how Netta was supposedly studying for A levels at college.
‘It’s so boring. None of the lecturers is with it. Half the time I can’t be bothered. I’d much rather tune in, turn on, drop out, you know? Especially with Russia and the States playing games with our futures with their big boy’s toys.’
I didn’t really know what she meant but I nodded, applying the polite responses Ma was teaching me.
Mum worked part time in the office of a local car dealer. ‘That’s how I got my little car, you know.’
I answered the questions they asked until Leigh became impatient with my reticence and told them all he knew about my life with the B before I’d come to live at Longhouse.
‘No telly? No radio? No magazines?’ Netta couldn’t believe it was possible to exist without such things.
Mum, on the other hand, just nodded. ‘I should’ve known. He always was a weird bastard. Cruel and cold and hard. No love in the sod. He started on the God kick before we got married but it was becoming more of an obsession by the time he threw Netta and me out. I always hoped it would be another of his passing phases. I’d no idea he’d take it as far as that.
‘Now I think about it, it’s not such a surprise he was raping Hope. The only time he could ever screw me was when I was dead drunk or completely exhausted and had no energy to participate. Sod’s a necrophiliac. Real, live women scare the shit out of him. That’s why he never touched you, Faith; you could move and answer back. The bastard.
‘No wonder he wanted you out of the house. He must’ve realised you were getting old enough to put two and two together and he was scared you’d guess what…’
‘Christ, Mum, she’s nearly twenty-one! I’d’ve twigged when I was ten!’
‘Hasn’t had your advantages, Netta. I mean, you were acting like a woman by the time you were thirteen. Looking like one, too. I mean, Leigh, she’s been having sex since I don’t know when. I caught her with a farmer on her fourteenth birthday. I knew I couldn’t stop her so I’ve just made damn sure she’s protected. Don’t want her having to marry some bastard like Heacham because she’s in the club.’
‘Like mother, like daughter. Mum obviously enjoyed sex. I thought I’d have a bit myself before the stupid morons blow us all to kingdom come.’
‘A lot, more like.’
There was no animosity between them. It was as if they were playing a game. But I did not know the rules and, in any case, I had no wish to join in. Leigh watched them with interest. It was at that moment my head suddenly caught up with my heart and I understood, right there and then, how I loved and wanted this man. And, immediately after this revelation, I realized I had just invited into his home the young woman most likely to prevent him even looking at me again, let alone growing to love me. As if to underline my thoughts, Netta stood up and turned to face Leigh.
‘Is it true you take pictures of women with no clothes on?’
‘Sometimes I wear clothes, sometimes, not. Depends on the woman.’
‘Really? Anyway, I meant the women wear no clothes.’
‘When I take a picture of a woman I like her nude. And I mean completely unclothed.’
I did not remind him of the pictures he had taken of Abby and the other girls with their knickers or hot pants on; stuff for glamour magazines and papers where they didn’t like to see pubic hair or anything naked below the waist. Nor did I mention the pictures he had taken of me, fully clothed, in York. It seemed inappropriate.
To my horror, Netta pulled her dress off over her head. ‘Like this?’
Mum seemed completely unsurprised by her display. And Leigh just examined her and made a small sign to make her turn slowly in front of him as the flames flickered warm light up her perfect skin.
‘Will I do?’
‘To the eye, you’re perfect. The camera’s a little more discerning. Have to do a test shoot to be sure, but you have all the makings. It’s just possible your face is too individual to photograph well; difficult to know. The lens likes bland, and there’s no way I could describe you as that, Netta.’
‘Doesn’t she worry you when she acts like this, Mum?’
‘She’s perfectly safe. We’re here and Leigh knows about women. No, I’m not worried. I’m very proud of my beautiful young daughter. Proud of her looks, proud of her confidence. That’s all down to the way I’ve raised her. Aren’t you proud of your looks, Faith? You’re a very pretty girl, you know. My colouring, rather than your dad’s, of course. That’s where Netta has the advantage over you. She’s taken her dad’s colouring for her hair and eyes where you inherited mine.’
‘The B’s got dark hair and brown eyes. Haven’t I got his colouring as well?’
Mum looked at me quizzically and then made a face of sudden realization. ‘Of course! Silly me. You wouldn’t know. How could you? Heacham’s no more your father than he is Netta’s.’
Leigh looked with interest at all three of us. Netta stared at our mother expectantly. Then the meaning sank in. ‘You mean you left me with that twisted, perverted bastard even though you knew he wasn’t my father? I lived with that…that creature for all those years and did his bidding, worked my heart out, stripped naked for him, suffered all that misery and he’s not even my father?’
‘I had no choice, Faith. You can’t know what that evil bastard was like. I lived in …’
‘Fear? So did I, Mother! I lived with him for longer than you did. Of course I know what he’s like! I fed him and did his washing and cleaned his house, suffered his perverted beatings, acted as a living fantasy for his foul sexual practices and nursed his other daughter…I suppose Hope is his daughter, is she?’
‘Oh yes. The only one of the three of you that was his and she had to be like that. Hardly surprising. A man like that. What else would you expect of his seed? Hope’s his all right. I just wish she wasn’t mine.’
‘It’s not her fault she’s ...she’s disabled.’
‘It’s not mine, either.’
‘If Heacham’s not Faith’s father, who is?’
I was grateful for Leigh’s timely intervention. Again, things were not going the way I had dreamed for this meeting with my family.
Mum gathered herself and took a deep breath but I could not tell whether this was to prepare herself for a difficult task or to dampen her own emotions. ‘Faith’s dad. There was a man. David Lengdon. Professor Lengdon now, I expect. He went to the States on an exchange and I never saw him again. He never knew I was carrying you. I often wonder what would’ve happened if he had. No Hope and no Netta, I expect. He was a lovely man. My only real love.’
‘Where is he now, Mum?’
‘No idea. Like I said, he went to the States. I lost track of him; didn’t want to hold him back. Anyway, it’s water under the bridge. No point going over old ground again. But he gave you your brains; I gave you your looks.’
‘What about my dad?’ Netta had settled herself on the lamb’s wool rug in front of the fire where Leigh could ogle her whenever he wished, which was most of the time.
‘You know better than that, Netta. Put your dress back on, love. You’ve made your point.’
‘Why did the B marry you if you were pregnant with another man’s child?’
‘Told you she was direct, didn’t I?’ Leigh dragged his eyes away from Netta, who was making a sexual pantomime of replacing her dress.
Mum smiled at me and I knew I was being indulged, and that took some of the sting out of the way I felt.
‘I was young, pregnant and single, Faith. Your father was out of the country and I didn’t intend to ruin his career by dragging him back here just so he could make an honest woman of me. But in those days, a single girl with a baby was a social outcast. Heacham had always given me the eye. I was nineteen and very pretty and he was a fool. First time I got him drunk, I thought I’d overdone it. He just couldn’t get it up. But I fell asleep beside him without my knickers and woke up later to find him shagging me like a rabbit. Didn’t take long for me to cotton on that I had to be as near dead as possible before he would or could do me. I was very soon bored with that. He kept me on a tight rein but where there’s a will ...’
‘A willie, Mum.’
She pulled a face at Netta’s remark. ‘Hope came along and nearly died at birth. Wish she had. God alone knows why they try so hard to keep such rejects alive. Should’ve let her go, poor thing. What sort of life has she had?
‘I had the occasional fling without getting caught. Had a long, infrequent affair with Netta’s dad. Great bloke but a bit of a lad then. He’s settled down now, of course. Wife and three kids of his own. Still has half the girls in the country screaming and wanting him in their knickers whenever he steps on stage.’
Netta sat up; she had learned more about her father than Mum had ever told her before. If she expected to hear more, she was quickly disappointed.
Mum just smiled at some memory and went on. ‘I suppose it was inevitable that gossip would reach Heacham’s ears. When it did, he thrashed me with his belt, told me Netta wasn’t his and I must take her and go. I told him you weren’t his either, but he wouldn’t believe me. I’ve no idea why. Maybe he did, really; maybe he saw how much you meant to me and used you to punish me, I don’t know. But the bastard threatened all of us with violence if I ever came anywhere near you or the cottage. I begged him to let me write to you and he conceded that but, of course, he never intended to let you have the letters. Bastard.
‘I came into the village once or twice in the hope of seeing you. I daren’t let myself be known and I never brought Netta, just in case. I doubt I saw you more than half a dozen times in all those early years. It became clear the bastard was keeping you at home and I did worry for your safety and welfare, but there seemed nothing I could do. You don’t know how pleased and relieved I was to get that letter from Longhouse, Faith. I’m so glad we’ve met again. You don’t hate me too much, do you?’
There were tears in her eyes and Netta was looking at her in a strange way. I held Mum’s hands and looked into her lovely face. ‘Hate you, Mum? I could never do that. I wish you hadn’t abandoned me and left me with that cruel bastard but I’m sure you thought it was for the best at the time. I forgive you. I like what I’ve seen of you and I’d love to get to know you better. I want a proper mum to love me and guide me. Will you be my friend, will you accept me back as your daughter even after all this time?’
‘Try and stop me!’ She pulled me close and we hugged for a long time.
Bored with our emotional display, Netta sauntered over to the radiogram. ‘Bit yesterday, Leigh. I thought you’d have a proper hi-fi.’
‘One day. It was Uncle Fred’s and I’m reluctant to part with it. By all means stick a record on if you want.’
She perused the selection and found the records were more up to date than the equipment. It was not long before Queen were singing Bohemian Rhapsody. Later there was Donna Summer singing ‘Love to Love You Baby’ with Netta dancing to the music in a way that ensured Leigh had eyes for nothing else.
I doubt he even noticed me leaving for bed but I went up that night feeling more complete than I ever had. Mum was in the spare room across the corridor and we spent ages together, me sitting on the edge of the spare bed as she told me about her life in the market town to the south. It was not the life I would choose but she enjoyed it and I could not blame her for that. I was glad she was happy and felt fulfilled, even if she did seem promiscuous and licentious. What mattered was that she was my mum and she loved me and wanted me for her daughter.
It hardly seemed to matter just then that Netta, who should have been in the bed I was sitting on, was sharing Leigh’s and building walls between him and my belated hopes. For the moment, I had a mum again, and I thought that was enough.


###

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The Absolute at Large, by Karel Capek, Reviewed.

Photography of the Czech author Karel Čapek.
Photography of the Czech author Karel Čapek. (Photo credit: Wikipedia)

Karel Capek is, of course, the author credited with the invention of the term 'robot', but this story isn't concerned with artificial intelligence in any way. He was a philosopher. The book first appeared in Britain, in translation by Thomas Mark, in 1927. The style and language reflect this period and the version I read had been edited by Damon Knight, the anthology editor, to remove certain chapters he described as 'nearly half the book - (chapters) that go nowhere and contribute nothing to the story.'
This is a story told for a purpose. The theme of man's mistaking religion for respect for God is transparent and boldly exposed throughout. The author was clearly troubled by this artificial confining of a force he considered too complex and ineffable to be so defined. It's an element of my own beliefs on the subject so, naturally, I was in sympathy as soon as this theme became apparent.
The story concerns the activities of a businessman, Bondy, who encapsulates all that is abhorrent in those who consider profit the only worthwhile pursuit, and his one-time friend, Marek, an engineer and inventor who is sensitive to the terrifying device he's created. The Karburator, an imaginary nuclear device capable of destroying matter and converting it to pure energy, is initially seen by Bondy as a way of making vast profits. In spite of Marek's demonstration and warning of its underlying spiritual capacity, Bondy is so taken with the opportunity to make millions that he manufactures these devices in large numbers, causing a crisis in the economic structure that leads to war, famine, death and disaster.
I will give no further description of the plot, but the ending is less inevitable than might be supposed, although Capek's attempt at a warning for mankind is achieved at the expense of what might be considered the natural conclusion to the tale. This author intervention is acceptable, however, in that it allows the central message to be sounded loud and clear. It would take a fairly dense reader not to understand the meaning behind this story.
This is not the version I read, which was from an anthology,
but an image taken from Amazon, where it can be bought.
Can the book be read on the surface level, as a simple tale of greed overcoming judgement? I suppose it can, and probably will be by those without any real knowledge or interest in the philosophical questions posed. I was unable and unwilling to read it at that level and the story was therefore more accessible to me than it might be for the more casual reader. Don't misunderstand me, here. I'm not suggesting any sort of superior understanding on my part, merely trying to point out that the book will be a different experience for those who read it without reference to the deep philosophical issues it raises.
Had I approached this as a simple story, I doubt I would have put up with the long passages of authorial comment. But these are fairly typical of the age in which the book was written, and we tend to forgive them in the classics of that era.
The characters are surprisingly well drawn and even minor roles are played out with conviction so that the reader is able to identify and empathise with certain people in the book. Bondy, in spite of his irredeemable materialism and inability to separate truth from his superficial, but commonly held, belief in a superior power, is nevertheless a real character and not the cypher he might so easily have become in the hands of a lesser author.
There is much humour in the story and a great deal of it is told tongue-in-cheek. I suspect that some of that humour is lost in translation, but enough remains to make the read enjoyable.
I recommend this book to serious readers but think those who prefer simple tales simply told would be best advised to give it a miss.

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Research? What's That, Then?

on Thursday, May 17, 2012
The three biggest web search engines
The three biggest web search engines (Photo credit: Wikipedia)

For many people, researchis a task fraught with difficulty. For others, it can become their raison d'être. I'm talking about writers here, of course. Are you someone who enjoys research, do you fear it, is it a mystery, or is it your prime reason for setting yourself a writing project?

The first thing I'd like to point out about research as a writer is that it should be a means to an end, not an end in itself. If you fall into the trap of doing research simply for the love of the knowledge, the fun of the chase, the thrill of discovery, that's fine for a researcher but it's not good for a writer. If this is your experience, that research is more fun than writing, then perhaps you should consider taking up an occupation where research is the aim and end rather than the tool it should be for a writer.

If you're frightened by the very idea of research, or if it's simply a mystery to you, I hope to allay some of those fears and demystify the process for you here. I'm not writing a book about research for writers; there are plenty of those on the market. This is intended as a taster, a short guide, a finger pointing in the right direction, no more.

Fear is generally the result of ignorance, of not knowing what might be involved. So, let's determine what research means for a writer. Do you watch people, listen to them, observe their interactions?  Yes? You're doing research. Watching people and all that entails, is a way of learning how people work, how they appear, how they sound, what they say. And all this is vital information to enable you to draw believable fictional characters. So, you're already doing it.

Do you read fiction? (If you don't, then you're making your job as a writer infinitely more difficult than you need. Reading the work of other novelists, short story writers, et al, is a vital part of the learning process in becoming, and improving as, a writer). As you read, you're picking up pieces of information on how language is used effectively, how plot works, how characters drive story and all those other factors that determine the quality of the fiction you'll eventually write. This is research on the writing process.

Do you visit potential locations to get a feel for place? Failing that, do you use Google maps and Google Earth to discover as much as you can about places you wish to set your story? Of course, this is fairly basic research, but it can lead you to other areas of knowledge gathering. Google the name of your town, country, island or whatever and read up on the place, look at the pictures others have provided, absorb the mood and atmosphere generated by those who have been there and reported on their experience.

I hesitate to mention books in the context of research, since the vast majority of people seem to think that the internet is the place to search. Books are old technology but they're well-tested and can often provide more in-depth information than a search on the web can give you. Your local library is a mine of information and a good librarian will be only too willing to help you with the topic, setting you off in the right direction and even guiding your choice of suitable books for study.

You watch TV and films? It's amazing what you can glean from such sources, even when you're not actually pursuing a specific topic at the time. I have a love of documentaries on many different subjects and, although I haven't written on many of the subjects covered by such films, I've often found bits and pieces of information that have been useful as background material or as nuggets of gold to place in the minds of characters to make them appear clever, informed or intuitive.

You talk to people? I hope you do. It's amazing what you can learn from those with specialist knowledge. I once wrote to a Coroner for information about aspects of law and procedure relating to corpses found in suspicious circumstances. He invited me for an interview and I learned far more than I even knew I needed to know. Useful for that story and for subsequent tales.

So, you see, research doesn't have to be that dry, dusty task you might've thought it. It doesn't have to be intimidating. It doesn't have to be formal. As a writer, most of your non-writing life can be considered as research, especially if you're writing fiction. Every experience, every encounter, every trip is more grist to your mill. Use it, gather it, harvest it, store it; but, most of all, enjoy collecting and using it.

A final point about using the internet, search engines, for research. First, always use more than a single source if you want to be sure of accuracy. The internet is notorious for inaccuracies by people who purport to be experts. Second, find a search engine that you're comfortable with; it'll save you a lot of time. And, third, learn how to use the search tools. Experiment.

You'd be amazed at the difference you will find if you use the advanced features of search engines to narrow your searches. For example, searching for models on Google produces 1,300,000,000 results. That's an impossible number of sites to trawl through. Model of the solar system reduces that number to 23,900,000, still huge. Placing the same words in quotes, "model of the solar system" reduces the results further to 2,280,000. Better, but by no means efficient. Include the word scaleand use a minus sign to exclude the words -scales, -weigh, -energy to remove more extraneous information and you reduce the results to 258,000. Now, I'm not suggesting you can trawl through all these, but a search of the first dozen is likely to give you what you need. You'll only learn how to make use of these tools by using them. Try it. Experiment. You're not going to break anything. And you may learn a great deal along the journey.

Good luck with your research and have fun. It's great to learn something new and even better when you can employ that new knowledge in your writing to bring it to life.

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Abhorsen, by Garth Nix, Reviewed.

on Saturday, May 12, 2012

This fantasy was recommended by readers on Goodreads. Had I realised, before I started to read, that this book is aimed at young adults, I probably wouldn't have bothered. And that would have been a real shame, because I thoroughly enjoyed this yarn of good versus evil.
The book is the third in a trilogy, so certain aspects only grew clear as this section of the tale unfolded. But the author has woven the fabric of his fiction with such skill that I was prepared to put up with references that initially meant very little. It wasn't long before I was absorbed by the characters and their adventures. The imagined world, with its division into a magical realm and one of technological progression, worked well, especially highlighting the prejudices, distrust and suspicions harboured mutually on each side of the dividing wall. I've no doubt that this could be read by some as an analogy on divisions currently experienced in the Middle East, but I was happy to read the story simply as an escapist romp through a well-drawn landscape.
The characters, including the animal personalities, are all well-rounded individuals with their hopes, dreams, quirks, faults, gifts and positive attributes. I found them all credible and felt they avoided the stereotypical so often found in fantasy of lesser quality. The plot is clever, sufficiently convoluted to hold mature attention, and unusual enough to sustain the story. The imagined world is similar enough to our own that it requires no lengthy descriptions but unusual enough to require its own maps for guidance. That strikes me as a good balance between imaginative creation and reliance on existing experience to satisfy both the reader's quest for novelty and the need for familiarity.
The denouement begins a good way from the actual end and the author skilfully builds the tension, making the book a real page-turner. My reading of this book was interrupted by a trip away from home and visits to various family members, which made it impossible to sit down and read it through without interruption. Had I had that opportunity, I've no doubt that I would have read it from cover to cover in one sitting, however.
If you enjoy your fiction with originality, adventure, and wholesome companionship (there is no sex or even romance in this volume), you'll enjoy this. The quality of the writing is good throughout and there is enough action and emotion to satisfy the reader. I recommend it.

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