Showing posts with label reading. Show all posts
Showing posts with label reading. Show all posts

Sing the Midnight Stars, by C.M.J. Wallace, Reviewed

on Saturday, February 1, 2014
This fantasy is full of imagination and introduced me to a thread of magic I hadn’t come across before. Whether that type of magic is entirely the invention of the author or not I don’t know, but it’s a very effective story element.

I was hooked straight away by this tale of intrigue, with the mad king intent on apparent self-destruction as he greedily sets about obliterating all that is good in his kingdom. The central protagonists, male and female, are fully realised characters about whom the reader very quickly cares. The lesser characters are cleverly drawn so that they, too, are real people. Many different quirks and faults are employed to make the cast into real individuals.

The story moves quickly and the pace only slows when appropriate, allowing the reader to gather background information and details of relationships before being plunged into further action. I found the balance of description and action very well done.

I read this in ebook form and wasn’t able to access a map, which would have been a useful addition. I don’t know whether the book comes with a map or not.


Personal commitments prevented me reading this lengthy tome at one sitting, but I was always eager to get back to it. It’s a page-turner. If you like your fantasy told with skill, passion and imagination, you’ll enjoy this read. I thoroughly recommend it.
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The God of Small Things, by Arundhati Roy, Reviewed.

on Sunday, January 19, 2014
A prose poem of a novel, with bite. This Indian tale of love, loss, class and betrayal starts, against all the literary school advice, with the weather. But the language is so engaging, so intriguing, that the reader is drawn into this strange world at once.

I love well-rounded characters and this book explodes with them. I love the use of good and entertaining English and this book drips with it. I won’t bore you with a synopsis; there are plenty of those around if you want a truncated version of the story. Suffice to say that the story centres on the relationships within a middle class business family and those that family loves and relies upon.

I learned a great deal about Indian life during the read. The chaos, out-dated traditions, values, iniquities of the caste system, attitudes to authority, God, and religion are all exposed in the narrative. The climate and the landscape become added characters, playing their parts in this complex tale and bringing even more life to a story already teeming with it.

There are flaws, for a reader from England. There are references to Indian culture, tradition and history that arrive unannounced and leave without explanation, often failing to reveal their origins or meanings in the process.  And there are very short, occasional, passages in an untranslated language I could not identify or understand. How much of the richness of the novel I failed to appreciate because of these flaws, I have no way of knowing.

There are a couple of chapters that, for me, appeared to serve no purpose in the story and I confess to skipping through those.

The book is written in a way that keeps the reader engaged, not through action or tension necessarily, but through the exquisite combination of words. This is poetry presented as prose. And the final chapter is so brilliantly drawn, so brutally emotional, that it left me feeling raw; the empathy imposed is such that I doubt any sensitive reader could leave it without tears.

I loved this book, and read the last half at one sitting, reluctant to put it down even though there were fairly pressing reasons I should do so. Thoroughly recommended for those readers who love literature in its accessible form and for whom a story of people in love matters. It’s no surprise this won the Booker Prize.
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Blood Song, by Anthony Ryan, Reviewed.

on Monday, November 4, 2013
Blood Song, the first in a fantasy series titled Raven’s Shadow, takes the reader on a trip through the
intricacies of a world of wars, interfaith conflicts, intrigue and battle. The societies, geography and political structures developed by the author are all very believable.

As regular readers of my reviews will know, I care deeply about character in fiction. This book does not let the reader down. The characters, and there are many, live. All are flawed in their own ways; all are individuals. No stereotypes here.

For reasons I won’t bore you with, I was unable to read this book in a short time. The extended time period was nothing to do with the book but only reduced my enjoyment in the sense that I found myself impatient to get back to it as soon as I was able. The story certainly held my attention.

This is a book that will suit those who like their fantasy to involve battles, unusual friendships, a background love story, minor references to a form of magic and details of fights and weapons. But it has an added theme that interested me a great deal: the book examines religion and its association with various gods. It analyses faith and hints strongly at the lack of validity in many claims made by religions. This is done through story, rather than through the less attractive type of proselytising sometimes evident in books that touch on religious matters. So, it’s thought-provoking as well as entertaining.

I found I grew more and more attached to the main protagonist as he fought his way through the many barriers placed in his way. The pace is good throughout and description is generally limited to those aspects that require explanation. There are many evocative scenes and a great deal of variety in location and setting, making the journey both interesting and engaging.


I enjoyed the read. It’s a long book, typical of the genre in the sheer volume of words and pages. Good value for money. I recommend it to all who love fantasy and suggest those who have so far avoided this genre might try this as an introduction to how good such storytelling can be.
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Reviewing the Reviewers?

on Thursday, September 19, 2013
What are reviews to you, as a writer, as a reader? Do they influence what you write, what you read?
As a writer, in particular, do some remarks from reviews of your work stay with you? Do they haunt or taunt, or do they inspire and motivate you?

I recently came across a feature on a site I use daily, but visit only rarely. (A contradiction? Not really, the site, Booktrakr, provides me with daily stats on book sales, but I visit it occasionally to update my info.) I hadn’t been aware that they not only collect sales data but also reproduce all the reviews that appear on the sites where they gather their information. As a result, I was able to see reviews of my work that had previously passed me by. By the way, if you’re a published author, you might like to try the site. It’s still in beta, and there are still a few odd glitches, but they’re improving their data all the time. It was through this website that I discovered one of my books had suddenly jumped up the lists to appear in a couple of top 100 lists.

Back to the matter in hand. I read these reviews and realised that readers approach books from very personal angles. One, in particular, stuck out. The book had received a large number of 5 star reviews, with most of the readers completely ‘getting’ the story, the themes and the approach. One, however, awarded a 2 star review but added the codicil that she’d enjoyed all aspects of the story but one. There’s a graphic scene in the novel, describing a savage rape. It’s there for a very specific purpose and is deliberately as far away from erotic as it can be. All other reviewers understood the purpose of the scene and that it wasn’t intended to be erotic. But this reviewer criticised the inclusion, saying that rape is not erotic. Well, yes. Obviously. So, this one reader had missed that point entirely.

As a writer, it would be very easy to get hung up on such a point: had I written it in a way that was ambiguous? Well, no. The other reviews showed it had been understood for what it was. But it is too easy for us to take such things personally. All readers come to books with their own set of experiences, their past, their nurturing and their natures. We all know that it’s impossible, and indeed undesirable, to please all of the people all of the time, of course. But I’ve talked with writers who would take such criticism to heart. In fact, some very promising writers, sensitive and gentle souls with something important to say and the talent to say it well, have actually given up writing as a result of some critical point that they’ve taken personally.

What I’m trying to stress here is that a review is a comment on the work, not on the author. Reviewers doesn’t know the author, they only know the work, and they see that through their own particular filters. It’s inevitable that a writer will attract adverse comment. There is no way to avoid it. Some would say that a piece of work that fails to attract dissent is not doing its job properly. And, of course, we all understand that there are trolls out there whose only purpose in life is to vent their frustration and their inability to communicate effectively by making personal insults. Such irrational and cheap remarks can only be ignored. But the comments from a thoughtful reviewer have the potential to alter a writer’s view of his work.

I’d never expect a reviewer to alter their opinion and I certainly wouldn’t get involved in a slanging match with anyone who had something adverse to say about my work. It’s utterly non-productive and makes the writer look both foolish and desperate. So, I’d advise writers simply to accept that there will be some negative opinions of your work. Some will be due to mistaken impressions, some will be formed from points of view that oppose your own, some will reflect the experiences of the reviewer and some will be true, of course. Provided the balance is in favour, and positive, there’s little point in allowing it to influence you. Obviously, if the majority opinion is negative in a specific way, it might be worth examining the piece anew. But, in general, take what you can from every point of view and then get on with your writing, in your voice. That’s why you write, isn’t it? To express your opinion, to show the world as it is through your eyes?

So, don’t blame the reviewers. Accept what they say, or make sure you never read your reviews if you’re unable to take them for what they are: the view of that piece of work by that reviewer; no more, no less.


And, whilst I’m on this topic, let me use the opportunity to thank all those who have reviewed my books. I truly appreciate your comments and the time and effort you make to let others know your thoughts.

Oh, and if you're interested, many of the reviews of my work are listed with the books under the tab above, labelled 'Published Work'.
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