Showing posts with label Creative writing. Show all posts
Showing posts with label Creative writing. Show all posts

Back to Creative Writing School, by Bridget Whelan, Reviewed.

on Sunday, November 24, 2013
A writing manual that sets out to encourage and inspire, but that also gives the reader tools to use, examples to learn from, and exercises that will help embed the lessons. As a writer of some experience, I generally don’t gravitate toward books on basic technique. I’m pleased I made this one an exception.

Concise, witty, informed and accessible, this is a book that guides would-be writers through the skill sets and pitfalls of creative writing. Bridget Whelan’s writing style is inviting and friendly without straying into the uncomfortable intimacy that a casual approach can sometimes involve. She presents her lessons in small chunks of entertainingly written advice gleaned from experience of writing and of teaching writing students. And she provides exercises that are well thought out and manageable whilst retaining a challenging element designed to make the reader really consider what it is they are being asked to do.

Set out in 3 ‘Terms’, each split into 10 ‘Lessons’, the text takes the reader through those elements of creative writing that most matter. Whilst each subject and topic is dealt with seriously, the writing style allows her sense of humour to come through and engage the reader in a way that makes the whole easily managed.

I particularly liked her sections on humour: in fact parts of it had me laughing out loud. Her sections on horror give a real feel for the genre. The selected samples used to illustrate certain points are always clear and pertinent, showing the best, or the worst, of writing style.


This is a book that will gently and surely lead the would-be writer through the process of approaching and creating imaginative writing. I thoroughly recommend what is an enjoyable, encouraging and inspiring read. And, now, if you don’t mind, I’ll end this review so I can get on with some of the stories that are currently fighting for my attention, having been inspired by this book!
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A Hiatus, a Break, and a Continuation, At Last.

on Friday, July 19, 2013
A Screen capture of part of the timeline.
Regular readers will know that I've been talking about my adult epic fantasy trilogy for some time now. I've written books 1 and 2 and both are now fully edited. I'm currently seeking a publisher for the series.

Meanwhile, I started to write book 3. I got as far as the end of chapter 2, around 7,000 words, before I realised I hadn't prepared the absolutely essential tool to aid in keeping track of my many named characters. I devised a timeline so that I'd know exactly where every named character was at any time and what they were doing. This is a necessary tool, as the story takes the form of three interwoven threads, combining to form the plot. Of course, both the time period and the selection of characters change with each book. Some of the players die, some merely fall off the edge of the stage, perhaps to be allowed back up to perform some other part before the end. The timescale is over three years and a great deal happens.

I could not continue without creating the necessary timeline for book 3. So, that is what I have been doing. It's a lengthy task; complicated though not difficult. Each player has a hyperlink to the character sketch I've produced, so I can easily check that I haven't unwittingly changed hair colour or gender!

As I have changed over from a PC to the iMac during the process of writing, most of my links no longer worked, as the files were in different places.  So I had to reform those links as well. It's all been rather time-consuming, but it's worth the effort. And I'm now back on track. So I can continue with the really great part of the process; the actual writing.

I don't know how other writers keep track of their characters when writing long works, but I'd be interested to learn. So, by all means, give us some insight.

I will keep you informed of progress on the trilogy. Watch this space, as they say.
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An Epic Fantasy Trilogy: Your Suggestions Please.

on Wednesday, July 10, 2013

I’ve spent a good part of the past few years in researching, devising and finally writing an adult epic fantasy trilogy. So far, for A Seared Sky, books 1 and 2 are written and edited and, now I’ve started writing book 3, I’m looking at publication of the first book. I delayed publication as I’m aware that the initial books of trilogies have been released to readers in the past only for them to learn that the story is incomplete and for those following books never to actually appear. By waiting to publish book 1 until I’ve actually started writing book 3, I hope to provide potential readers with the confidence that this is a story that will be completed.

My request here, however, is for the views of readers on the introductions to books 2 and 3. There is more than one convention at work and I’d love to know what readers actually prefer. Do you want a synopsis of the previous book (book 1 when reading book 2; book 2 when reading book 3)? This sometimes takes the form of a descriptive opening chapter, sometimes a prologue. Or do you prefer that the books each start as if the previous books have been read and remembered, with a few references to past events to jog the memory? Or, indeed, do you prefer an entirely different approach? If so, what?

Those are my questions and I really would appreciate your input. Please be as detailed or brief as you wish. It’s your opinions I seek here.

Writing? What Constitutes Work for You?

on Sunday, June 30, 2013
Time and again, we hear wails from writers complaining that writing is such hard work. They moan
about how difficult it all is, so that one is forced to wonder why they do it. Coal mining is hard work, labouring is hard work, working a 70 hour shift as a junior doctor in a hospital is hard work. Writing isn’t, or shouldn’t be, hard work.

No one is forced to write: it’s a personal choice, a selection of a lifestyle. Anyone who becomes a writer in the expectation of making easy money is a fool. Writing fiction is not a way to guarantee a worthwhile income. The average English novel makes around £2000.00 for the writer: that’s for an investment of maybe two years work (and, included in that average is the income made by authors such as JK Rowling. Do the math, as they say). Anyone entering the field without awareness of the realities is either naive or stupid. Few freelancers, writing articles, make a very good living, though some make a reasonable amount. Probably the only way to be sure of a constant income from writing is to become a journalist working on a regularly published journal. Everything else is speculation.

For me, writing is not work. It’s a joy, a journey through my imagination to lands and lives I invent. This isn’t work, this is delight. Editing isn’t work; not for me. I love the chase for the perfect word or phrase. I love the discovery of new vocabulary to replace repetitions, I love the search for new ways to say things. Research isn’t work: it’s an adventure, a trip to new experiences and knowledge.

So, what is work for me, when it comes to the world of writing fiction? Selling. Marketing. Building a platform. I’ve worked as a salesman more than once during my varied career and it was never a role that sat easily with me. We look at life through our own eyes, and tend to expect that people are pretty much like us. I’m that guy who never wants to be advised on what to buy, who doesn’t want to be approached by a shop assistant handing out advice. If I want something, I do some research and buy what appears to be best for my needs. I expect others to be similar, so the idea of actively selling seems either a waste of time or a con trick. Surely people know what they want and where they can obtain it? Marketing is similar, in that it’s a means to persuade people to be interested in something they may otherwise not consider.

I hear the screams of protest. I hear the denials. Yes, I know that the world of books is a tough one with competition that’s often far from fair. I understand that, if I want to sell my books, I have to somehow get them to the attention of readers. In so doing, I have to compete and become involved in league tables, press releases, advertising, promotion, engagement with potential readers, and a slough of other activities all designed to take me away from what I think I do best; writing.

So, I have a choice. I can spend most of my time and effort engaged in activity designed to bring my work to the attention of others; something I’ve been doing with minimal success for the past year or more. Or I can write, publish books, and hope that readers will appreciate those works, spread the word and allow me to build a readership that enables my books to be read by more and more people. My choice should depend on what I do best and what I most love. Writing. So, that is what, from now, I will be doing. If I sell few books as a result of taking this approach, so be it: it’ll be no change from the current situation. Except that I’ll be actively enjoying my time writing instead of finding the task of marketing and selling a drudgery I can barely abide.

I’ve spent the last three days in doing the final editing of book one of a fantasy trilogy. Much of that time has been a re-reading of the book, following the editing, so that I have it fresh in my mind. I’ll spend the next few days in doing the same for book two, already written and edited. Then I can start to write book three, which has been slowly bubbling away in the back of my mind during the last few months. This is what I love to do. Write.

This means I won’t always be free to do these spots, which were once regular. I’ll certainly try to produce a post each week, simply because this is a form of writing I enjoy and find relatively easy to do. It’s also a necessary break from the more imaginative creative writing involved in making up a story. But it isn’t work. Not for me. It’s pleasure, enjoyment, fulfilment.

So. When it comes to the world of writing, what constitutes work for you and why do you do it? Let us all know. Just place a comment here and share your thoughts. You might help some other poor beleaguered writer along the way.

 Here are a few quotes on work from well know writers:

Work is the curse of the drinking classes. Oscar Wilde.
Work is a necessary evil to be avoided. Mark Twain.
Nothing is work unless you’d rather be doing something else. George Halas.
Work consists of whatever a body is obliged to do. Play consists of whatever a body is not obliged to do. Mark Twain.
Talent is cheaper than table salt. What separates the talented individual from the successful one is a lot of hard work. Stephen King.
I put my heart and soul into my work, and have lost my mind in the process. Vincent Van Gogh.
Never permit a dichotomy to rule your life, a dichotomy in which you hate what you do so you can have pleasure in your spare time. Look for a situation in which your work will give you as much happiness as your spare time. Pablo Picasso.
The more I want to get something done, the less I call it work. Richard Bach.
If you cannot work with love but only with distaste, it is better that you should leave your work. Khalil Gibran.


I think you’ll spot those with which I agree. More than anything else, I hope you’ll find ways to enjoy this wonderful craft we call writing.
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The Last Word, by Ben MacIntyre, Reviewed.

on Saturday, April 27, 2013

The Last Word, subtitled ‘Tales from the Tip of the Mother Tongue’, is a collection from the writings of Ben
MacIntyre, a columnist writing about books for The Times.

If you’ve ever pondered the mysteries of military euphemisms, considered the last words of heroes, wondered at the geek-speak of the computer nerd, laughed at inadvertently skewed translations or been curious about almost anything else to do with words, there’s something here for you.

The author has collected, listened to, been sent by readers, and purloined from reviewers many examples of neologisms, epitaphs, mistranslations, vanished words, malapropisms and many other interesting, amusing or downright odd usages of the words we use (or not) in everyday language.

Split into short sections, so that the book can be picked up for even a couple of minutes at a time, the material is varied in content but not in quality. All of the 300 pages are presented in a style easy to read, well-written, and generally tinged with humour. There are a few exceptions, when serious issues are up for discussion. The odd personal anecdote sneaks in amongst the more general observations and tales and brings a more intimate feel to the book.

I was entertained, educated, startled, intrigued, surprised, moved, and made to laugh out loud as I read the different pieces. If you have any interest in language at all, and, as a reader and/or writer, you clearly must have, you’ll find this a worthwhile addition to your library. Not only do I heartily recommend the book, I place it on that short and vital list of those volumes I’d save from the burning house or take with me to that famous desert island.

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Beware The Thesaurus.

on Saturday, April 13, 2013
The Historical Thesaurus of the Oxford English...
The Historical Thesaurus of the Oxford English Dictionary (Photo credit: Wikipedia)

A little while ago, I came across the following statement, made by a professional journalist reporting in the local media: ‘The crash took place…’
I won’t bore you with the rest of the details. But, as I’m sure you’ll agree, a crash is an accident and accidents ‘happen’, they don’t ‘take place’.  Meetings, concerts, pre-planned events ‘take place’.

This set me thinking about the way in which most writers seek out alternative words and expressions to prevent repetition and dullness and to enliven their work. The bulk of us turn to the thesaurus, whether in book form or online. I use two different versions most of the time: the excellent, short, but useful online program known as WordWeb, which is a free to use application that can be downloaded and associated with your word processor to check for definitions and alternatives for a large number of words. Click here for a link to the download website.

I prefer, however, the much more comprehensive book, The Original Roget’s Thesaurus, in the 1987 edition, prepared by Betty Kirkpatrick. I have alternatives on my shelves: Hartrampf’s Vocabulary Builder, the Oxford Compact Thesaurus, The Slang Thesaurus, The New Nuttall Dictionary of English Synonyms and Antonyms, and A Dictionary of Euphemisms and Other Doubletalk.

The danger with the thesaurus, of course, is rather akin to that posed by the ubiquitous spellchecker on the PC: it depends for its effectiveness on a level of understanding from the user. Spellcheck ‘their’, ‘there’, and ‘they’re’ and all will pass the test with ease. Usage determines the correct spelling. With a thesaurus, it’s essential that the user at least understands what the word actually means.

An example, then.

I suspect the vast majority of readers here will know the word, ‘wanton’. And I guess most would recognise its use as an adjective in the following couple of sentences:

‘She dressed in a manner suggestive of her wanton nature, advertising her readiness to serve any and every man present.’

‘He pulled his partner back to his feet and knocked him down again, before laying into him in wanton violence as the poor wretch lay at his feet.’

Yes, I know; clichéd examples but, bear with me: I wanted samples that gave context to the word in question and in both these ‘wanton’ is easily defined by reference to its usage.

If, however, you were to use an unusual word without such contextual clues, it would be very easy to employ a totally unsuitable alternative simply by consulting a thesaurus. I’ll illustrate what I mean. First, lets’ see how the Shorter Oxford English Dictionarydefines ‘wanton’:

Wanton: (SOED) Adj: Of a person – undisciplined, ungoverned, unmanageable, rebellious, jovial, inclined to joking, carefree, petulant, spoilt, self-indulgent, insolent in triumph or prosperity, reckless, merciless (of a boy) childishly cruel or unruly. Of an animal – skittish, refractory, unmanageable, frisky, frolicsome,.
Originally only of a woman – thought, action etc: lustful, sexually promiscuous, flirtatious.
Of colour or music – cheerful, lively
Of an object – moving freely as if alive, unrestrained
Of wealth, clothing, diet, a way of life – luxurious, extravagant,
Of cruelty or violence – unprovoked, reckless, gratuitous
Of speech and imagination – extravagant, impetuous, unrestrained
Fastidious or dainty in appetite, profuse in growth, luxuriant.

I suspect there are more meanings here than most readers expected. Some, of course, are now either rare or generally used only in a literary or poetic sense. Nevertheless, the most common usages of the word are buried amongst many other meanings. So, this is a word for which the dictionary provides a number of different meanings, which would only become apparent by context. Already, we have a recipe for potential confusion.

If we now examine the entries in The Original Roget’s Thesaurus for the same word, used as an adjective, we find the following suggestions under their headings:

-changeful:
changing, mutable, alterable, phased, changeable, shifting, vicissitudinous, varying, variant, variable, nonuniform, kaleidoscopic, iridescent, protean, multiform, quick-change, versatile, skilful, uncertain, unreliable, vacillating, wavering, irresolute, moody, unpredictable, unaccountable, unexpected, never the same, ever-changing, volatile, mercurial, different, wayward, fickle, whimsical, capricious, giddy, dizzy, flighty, wanton, irresponsible, frivolous, light-minded, shifty, inconstant, unfaithful, disloyal, traitorous, tergiversating.

-capricious:
motiveless, purposeless, whimsical, fanciful, fantastic, eccentric, humoursome, temperamental, crotchety, maggoty, freakish, fitful, hysterical, mad, crazy, prankish, mischievous, wanton, wayward, perverse, faddy faddish, particular, fastidious, captious, arbitrary, unreasonable, fretful, moody, contrary, irascible, undisciplined, refractory, wilful, erratic, uncertain, unpredictable, unexpected, volatile, mercurial, skittish, giddy, frivolous, light-minded, inconsistent, inconstant, variable, unstable, irresponsible, unreliable, fickle, feckless, tergiversating, flirtatious, coquettish, playful.

-free:
freeborn, enfranchised, heart-whole, fancy-free, unattached, scot-free, acquitted, on the loose, at large, escaped, released, freed, liberated, free as air, free as the wind, free as a bird, footloose, go-as-you-please, ranging, travelling, ranging freely, having full play, licensed, chartered, privileged, permitted, exempt, immune, nonliable, free-speaking, plain-spoken, plain, free-thinking, emancipated, broad, broadminded, latitudinarian, unbiased, unprejudiced, independent, uninfluenced, just, free and easy, all things to all men, sociable, loose, licentious, unbridled, incontinent, wanton, impure, at leisure, out of harness, retired, relaxed, unbuttoned, at home, at ease, leisurely, free of cost, gratis, freebie, on the house, for free, unpaid for, uncharged, unclaimed, going begging, unwanted, free for all, unreserved, vacant, unoccupied, up for grabs, accessible.
  
-rash:
ill-considered, ill-conceived, ill-advised, harebrained, foolhardy, wildcat, injudicious, indiscreet, imprudent, unwise, careless, hit-and-miss, slapdash, free-and-easy, accident-prone, negligent, unforeseeing, not-looking, uncircumspect, lemming-like, incautious, unwary, heedless, thoughtless, inconsiderate, uncalculating, inattentive, light, frivolous, airy, breezy, flippant, giddy, devil-may-care, harum-scarum, slaphappy, trigger-happy, light-minded, irresponsible, reckless, regardless, couldn’t-care-less, don’t-care, damning the consequences, lunatic, wanton, wild, cavalier, bold, daring, temerarious, audacious, overdaring, overbold, madcap, daredevil, do-or-die, neck or nothing, breakneck, suicidal, overambitious, over the top, oversanguine, oversure, overconfident, hoping, overweening, presumptuous, arrogant, insolent, precipitate, gadarene, headlong, hell-bent, desperate, hasty, unchecked, headstrong, wilful, untaught by experience, ignorant, impulsive, impatient, hot-bloodied, fire-eating, furious, excitable, danger-loving, unfearing, venturesome, speculative, adventurous, thrill-seeking, risk-taking, enterprising, improvident, thriftless, prodigal.

-unchaste:
unvirtuous, vicious, susceptible, not impregnable, frail, fallen, seduced, prostituted, taken advantage of, of easy virtue, of loose morals, amoral, immoral, incontinent, light, wanton, loose, fast, naughty, wild, rackety, immodest, daring, revealing, unblushing, shameless, brazen, flaunting, scarlet, meretricious, whorish, tarty, promiscuous, sleeping around, screwing around, streetwalking, on the game, Paphian, Aphrodisian.

A total of 380 alternatives is presented. True, some are duplicated under the various headings, but there are still many from which the writer may choose. Anyone not conversant with the ways of the thesaurus might be fooled into selecting any one of these words as an alternative to ‘wanton’.  And, whilst a great many of them could act as a suitable replacement, there are many which would not do at all.

Let’s try it:

‘She dressed in a manner suggestive of her shifting nature, advertising her readiness to serve any and every man present.’

‘He pulled his partner back to his feet and knocked him down again, before laying into him in coquettish violence as the poor wretch lay at his feet.’

In the female sentence, the woman is now no longer specifically a sexually active creature but someone who accommodates to the needs of the men, perhaps in order to deal with their work requirements.
In the male version, the violence has taken a farcical turn, possibly describing a lover’s tiff solved by aggressive coitus.

So, perhaps not the best possible example but one that I hope illustrates the importance of ensuring that you understand the real meaning before substituting one word for another.  We don’t, after all, want any tarty violence perpetrated on any free-thinking men, do we? Or, perhaps, we do!

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