Showing posts with label Storytelling. Show all posts
Showing posts with label Storytelling. Show all posts

The Writer’s Priorities. Part 1

on Friday, January 24, 2014
We’re creative souls, we who write stories, not generally the disciplined and single-minded types for
whom regulation and habit overtake our free spirits to the exclusion of all else. No, those for whom self-discipline and ultra-focus are paramount are, generally speaking, business-minded; people for whom money is the primary concern. That’s not to say that these qualities are undesirable, simply that they’re not the most important elements of our make-up.

As artists (sorry if that term makes you uncomfortable, but perhaps you should be looking at your view of your role as a creative spirit?), we’re more organic, less easily defined by rules, more open to the bending and even the ditching of external influences on our behaviour.

So, where am I going with this?

Let’s face it, if we call ourselves writers, our first love, our primary drive, is writing: yes? If your answer to that is not ‘yes’ then I suggest you examine your reasons for placing words in specific order on pages. It may be that you’re an entrepreneur who’s spotted an opening in a market that just happens to involve the skill of writing. Perhaps you’ve seen the zillions paid for certain best-sellers, and identified a niche you could fill by writing the same story with different names and locations. It works. It’s been done countless times. But it doesn’t make you a writer; it makes you a businessman/woman.

Writers of fiction are more concerned with the words they present, the stories they tell, the effects of those compositions on their readers. Money, fame, success are all viewed as ancillary to the craft and inspiration of actually setting the right word in the right place. Imagination is the primary resource of the storyteller and the emotional punch of the story is the reward.

I’m not making judgments here. If the business approach suits you, that’s your choice. If, on the other hand, the role of the storyteller, the ancient role that started around the fire in the mouth of the cave as a way to explain the world and its wonders and terrors, drives you, then that is also your choice. Unfortunately, for those of us so inclined the world has moved into an era where the majority of the advice, help and support for writers is aimed at those for whom money is the major mover. Talent, it seems, is less valuable.

It’s very easy to be drawn into the world of marketing, promotion, advertising and generally concentrating on making ‘a living’. And, of course, we live in a world where making a living is paramount to mere survival, so the pressures are intense.

The issue then, for those of us who are essentially creative beings, is achieving a balance between making enough to allow us to survive and giving ourselves the freedom of thought and action that will nurture and develop our talents as tellers of tales.

I write this post as a taster only. As a way to introduce the idea that we may need to examine our priorities if we’re to lead full and rewarding lives as writers. For my personal approach, watch this space. I’ll provide my answers soon; just as soon as I’ve reached an actual conclusion, in fact!


And, for the time being, I ask you to consider just one question: 

Why do you write?

Seeking Readers’ Views on Matters of Fantasy.

on Thursday, August 16, 2012

Those of you who’ve followed this blog for any time will know I’m in the process of completing an epic fantasy trilogy. I’ve written the first 2 volumes and edited book one to the point where it’s ready for publication. Book 2 is currently undergoing the penultimate edit and book 3 is yet to be written, though I know where it’s heading, more or less.

So, how can you help?

Well, I’m seeking the opinions of readers on various aspects of the fantasy genre:

My book is an adult tale, containing references and descriptions unsuitable for those under 15 years of age. Would that concern you? (there’s no erotic content, but there are sexual references).

The major theme of the whole work is hypocrisy in organised religion, though this is very definitely thematic and doesn’t push the story, which is largely character driven, with the actions of those characters resulting in the drama and adventure of the tale.  Clearly, I’m not about to alter the theme, but I’d like to know if the very fact of it would deter you from sampling the book.

Book 1 is 216,000 words, or around 680 pages of a standard paperback. The other two volumes will be around the same length. Assuming the story and characters carry this length, as a reader, does this excite, inspire, worry or inhibit you?

Clearly, publication of such a tome is likely to be difficult to sell to a traditional publishing house. Would you be likely to try such a book as, A, a paperback, B, an ebook, C, both of these, D, neither, if self-published?

What sort of price would you expect to pay for such a work?

The story needs maps to allow the reader to enjoy the location of the fantasy. I’ve drawn the main map on a sheet of A1 (approx. 60x80 cms) and had it scanned electronically so I can produce it both in full and in parts to suit the story as it ranges over the wide territory imagined. How would you feel about the inclusion of such maps in an ebook? And, would you like a ‘fold-out’ map in a paper book, if possible?

I’ve decided not to publish volume 1 until volume 2 is ready for publication and volume 3 is already underway. Would that decision help you decide whether or not to sample the first volume? I know it’s not uncommon for fantasy writers to start a trilogy and then abandon it before it’s finished. I want to avoid falling into that trap and, by taking this action, wish to assure my readers that I’ll give them the full tale.

Later in the process, I intend releasing short tasters so that readers can have an idea of the quality of the writing and some clues regarding characters, theme and storyline. Would you welcome such samples?

That’s it for the moment. Later on, I’ll explain some of the techniques used in the writing, introduce some of the major characters and give clues about the imagined land I’ve used as a setting. Watch this space.

Thank you for your help in this process.

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