Dead Men's Fingers, by Tyler Brentmore, Reviewed.

on Wednesday, February 15, 2012

As a teenager, when our first TV arrived, I loved to watch Westerns. But I've never read one, until Tyler Brentmore's Dead Men's Fingers came my way. I downloaded this book to Kindle for PC, reading from the screen in a way I generally avoid. That's how involving a story it was. Against all the odds, I felt compelled to read it.

The author has a great facility with words and molds language into sentences and paragraphs that drive the story forward at a gallop. But, at the same time, the characters are graphically drawn in a way that brings them alive. The action is superbly presented and grips the reader as each challenge increases the tension. The hero and his female counterpart are fully rounded, both possessing hidden qualities, and pasts, that are only vaguely hinted at until the story demands revelation.

That the writer has researched extensively is evident by the period detail and the way that the reader is not merely talked through the landscape but actually experiences it with all its fierce and wide-open qualities. You taste the dust, feel the burning sun, drown in the swollen river, cower in the darkness of a starless sky in the centre of a continent peopled mostly by enemies, and wonder at the vast spaces to be crossed by the wagon train.

This is more than merely a traditional western tale, though the book can easily be read on that level. Multi-layered, the story examines prejudice, the mind-set of the mob, courage, honesty, evil versus good, and even love.

I would have read this at one sitting, had circumstances allowed. As it was, I had to take a break and read it in two sessions. I thoroughly enjoyed the experience and can happily recommend this to anyone who enjoys stories starring real heroes and heroines.

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The Writing Week.

on Sunday, February 12, 2012
Another busy, if interrupted, week.
I had begun the read aloud edit session of the NaNoWriMo novel (provisionally titled An Avenger Unseen) and got as far as chapter 15 before I realised it needed some major surgery. I'm writing this as a comedy thriller, with the emphasis on the comedy. But I realised I'd gone too deeply into the thriller aspect, and my male protagonist had adapted a tone unsuitable to his narrative. So, I went back to the beginning and I've so far re-written the first 5 chapters.
I've written a short story, which will need editing next week. And I completely re-wrote a story I'd started some time ago and never submitted. This one has gone to the Writers & Artists Yearbook contest. Wish me luck! If you're interested in entering writing competitions, you might have a glance at the page tabbed 'Writing Contests' above. There are a great many links to such contests there.
And I finished reading and have therefore reviewed, The Adventures of Sherlock Holmes. The review is just below this post if you're interested.
Kate was home for the weekend and she's just returned, her boyfriend driving her to the station for her train.
It's my brother, Steve's, birthday tomorrow, so we had he and his lovely wife, Alison, round for the evening last night. Great night, but too much wine meant I wasn't up to much writing this morning!
The car has now been serviced and is again safe and quieter for the replacement of the box on the exhaust.
And the drive is now clear of snow, which is slowly melting away anyway.
Those are the interruptions I mentioned. I like to think of them as reasons for not having done much, but I know they're really excuses.
That, however, is enough for now.
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The Adventures of Sherlock Holmes, Reviewed.


It must all have been said, of course. So, this review is likely to say more about me than about the author or his tales. In common with most people, I've witnessed the transfer of the written words onto the small screen in many versions and for many of the stories held in this collection. That connection naturally informs the reader. I enjoyed the reading, but, unusually for me, found the TV programs more entertaining and even more credible.

There are passages of fairly wooden dialogue and some of the descriptions of events leave a lot to be desired. The plots are, of course, wonderfully intricate, surprising and satisfying, as you'd expect. But there is a lot that the reader's expected to accept on trust. I suspect that much of the 'deduction' is open to question if analysed in any depth. Holmes expresses certainty about matters than can often only really be conjecture. But none of this detracts from the experience, of course.

Conan Doyle is as much a part of the English psyche as Dickens and Shakespeare and it's a brave man who would criticise such genius.

It took me rather longer to read this anthology than I'd expected; all sorts of interruptions took me away from the reading, but I also found I wasn't as compelled to read as I have been with many other books.

Gentle and often quite homely, apart from the more violent stories, the style is definitely of its time. I suspect many young readers will find some of the references so obscure as to be meaningless, but that's part of the charm. Like most readers, I approached this book fully aware that my previous exposure to the characters and some of the stories was bound to influence the experience.

One small technical niggle: whoever formatted the book for the Kindle, on which I read this, made a poor job of work on the symbols and the foreign punctuation. There's hardly a story that doesn't contain an odd set of characters either representing the £ sign or some of the French accents.

This was an interesting read without being astounding or particularly instructive for a writer. Would I read more? Probably not. Did I enjoy what I read? By and large, yes.

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Read My Novel, Free: Chapter 5.

on Friday, February 10, 2012

Breaking Faith is published as a paperback and an ebook. I'm posting individual chapters here, each week, so that anyone who wishes can read the book in full and free of charge.





I posted Chapter 1 on 13 January, following chapters appear each Friday and can be found via the archive.

Read, enjoy, invite your friends.

Chapter 5

Friday 12th March

‘Can’t understand it, Old Hodge; lass ‘as been eating my dinners for a month or more and she’s not put an ounce on. If owt, she’s getting thinner.’
Old Hodge looked up from his steaming mug of tea and assessed me before he turned to her and replied. ‘Ma, for a wise old woman, you’re lacking in summat if you can’t see what’s blindingly obvious.’
She said nothing, knowing he would explain.
‘Where’s this lovely lass live?’
Ma nodded. ‘‘Course, every day she walks four mile here and four mile back across them fields and fells.’
Nothing much had changed in the weeks since that first night. My routine at home was just the same but, since starting work at Longhouse, I was happier than I had ever been, in spite of the tiredness.
I came out of my reverie to find Old Hodge and Ma looking at me as if they expected me to say something.
‘Your father has your supper ready when you get home, o’course?’ Ma’s question was phrased in such a way I could not tell whether she was being sarcastic.
‘Oh aye, bound to, a good Christian gentleman like ‘im. He’ll like as not have a nice warm bath ready and your slippers warming by the fire.’ Old Hodge, however, made it patently obvious by his tone what he thought of Father.
‘And there’ll be no question of you nursing that lump o’ dead meat that’s your sister.’
‘Leave Hope out of this, both of you.’
‘Am I daft, Old Hodge, that I never thought on it?’
‘Nay, Ma. Soft in t’ead, perhaps, but I’d not go as far as daft.’
‘You’re a comfort and no mistake.’
I took the mug of tea Ma offered me and dunked a chocolate digestive in it. ‘The way that terrible old man insults you, Ma.’
‘I know. Things you ‘ave to put up with when you’re married.’
‘Perhaps you should leave him?’
‘He’d only starve without me. That, or more likely find some pretty young wench willing to share his bed and send him on his way before his time.’
I smiled through my blush. The colour deepened when Old Hodge leant forward and whispered in my ear, loud enough for Ma to hear. ‘You’d teck care on a wise old man, Faith, wouldn’t you? You’d not let me pine away for lack of affection, I know.’
I had changed so much in those weeks that I laughed and pushed him softly away with my palm over his face. ‘You’re wicked, Old Hodge. You’ll never get to Heaven.’
‘Happen I’m not off there anyroad. T’other place sounds warmer and more interestin’. All them ‘arps an’ singing’s not for me.’
‘Old Hodge!’ I almost quoted the Bible at him but stopped myself: things that were Father’s entire life impressed no one at Longhouse.
‘You go too far! Faith’s still got beliefs, even if you haven’t. Wicked man. Finish that tea and get back outdoors to that garden where you belong.’
Old Hodge grinned at his wife and winked at me. Unable to condemn him, I responded with a rueful smile.
‘Look, that’s no good at all, Faith. How am I supposed to keep him under control if you undermine all my efforts?’
‘Him, under control?’
We turned at Abby’s remark. She had come in unnoticed and smiled at our surprise. ‘Old Hodge has only ever been controlled by Old Hodge. And always will be.’
The old man made a great play of crossing to where Abby waited. They embraced in a way that made me turn away, scandalized.
Ma laughed delightedly at them, however. ‘That’ll cost you tonight, Old Hodge. And if you think you’re getting a cuppa after that, you brazen hussy, you can think again.’
They parted and pretended shame until Ma gave in.
‘Get out to your flowers and trees, you wicked old man.’ And she poured a cup of tea for Abby.
‘Any idea when Leigh’s due back?’ Abby sat beside me at the scrubbed kitchen table and stretched long legs out of pink hot-pants onto a spare chair. Old Hodge made a great play of sneaking a look at her shapely limbs, whistled in admiration and then ducked out through the utility room before Ma could chuck her last bit of biscuit at him.
‘He expected to finish at the factory about two, so he’d be due back about half an hour ago, but he said he might drop into Jessop’s on the way back for some film.’
‘I thought it was your job to order stock? Why’s he having to go into a shop?’
‘It was something we don’t normally keep.’
‘And he has to have it in such a hurry that he thinks it’s all right to be late back for my session?’
‘As far as I know, Abby, it’s for your session.
She managed to flounce without standing. ‘He’ll be late and then we won’t have time to do everything.’
‘I shouldn’t worry, I’m sure Leigh’ll give you all the attention you want, both in front of the camera and afterwards.’
‘Not jealous, are we?’
‘Of course I’m not jealous!’ But I felt my colour rise and I wondered why.
‘He’s not going to ask you to pose for him, or screw you, till you’ve got some meat on your bones, sweetie. If you want Leigh to notice you, and you do, you’ll have to develop some curves to show you’re a woman. He’s not going to notice a bag of bones in dead women’s cast-offs.’
‘That’s enough, Abby. You know Faith’s no …’
‘It’s all right, Ma. I don’t care about the opinion of a … a tart like her.’
‘Tart, fart. Your problem, sweetie, is your fanny’s too tight.’
‘Rather that than be open to any man willing to expose his penis.’ I had recently learned the word, after asking Leigh when I was trying to describe something Mervin had done to upset me. I had to ask Leigh because Father had censored my encyclopaedia and dictionary.
Abby cringed for an instant. ‘Cow! I’m not sleeping with anyone but Leigh, and you know it.’
‘For now. But I saw you with that rep the other day. I wonder how long he’d have kept his trousers on if Leigh hadn’t been home.’
‘Bitch! At least I know what mine’s for. You want to get with it, Fay. You’re so square you’d slot into a cardboard box.’
‘Just because you’ve burnt your bra and allow your breasts their freedom, Abby, it doesn’t mean your mind’s liberated.’ I was learning more every day by reading Leigh’s newspaper and listening to the radio in the kitchen. Two new and fascinating experiences.
‘At least my bra’s worth setting on fire. Yours wouldn’t warm a saucer of milk for the cat, even if you piled them all up and set fire to the lot. I’ve got tits. See? These are tits, Fay. All you’ve got is a pair of advanced boils. Tits look like this.’
‘And very nice they are, too. But I’m not sure Faith’s impressed.’
We turned at Leigh’s words, Ma shaking her head in despair, me just grateful for somewhere to look after Abby’s display. But Abby simply untucked the rest of her blouse and whipped it off, the better to show Leigh.
‘Lovely. But you might like to ditch the hot pants if we’re having a full on shoot. You know I can’t have marks on your skin.’
Abby stripped quickly and checked for impressions left by her clothes. A faint dimpled line circled her hips, marking the place where the hot pants had made contact. She wore nothing else, so there were no other marks on her perfect skin. ‘It’ll soon go.’
Ma humphed at her and turned to Leigh. ‘Have you eaten, Lad?’
‘I’m fine, Ma. Grabbed a bite in the Directors’ canteen. They like to call it their restaurant but it’s nowt more than a glorified canteen. Food’s not a patch on yours, but not too bad for a factory.’
‘How did the job go, Leigh?’
‘Fine, thanks. Take the films up for Merv, will you, and tell him I need the proofs by tomorrow afternoon, so he’d best get them deved now.’
Being, as Leigh put it, out in the sticks, he had to show he was up to speed with everything so he tended to do jobs in less time than most of his competitors. It seemed to work; most of the businesses came back for more once Leigh had done a job for them, anyway.
I left the kitchen for the office, grateful to get away from Abby’s display but reluctant to visit Merv’s den. I opened the aluminium case on Leigh’s desk and took the films from the compartment. Poking my head round the kitchen door, I found Abby wrapped around Leigh as Ma made a fresh pot of tea. ‘Not left a part film in the ‘Blad, have you, Leigh?’
‘Do I ever? Should be five, love.’
I left for the studio, my lips tight and my body still set with anger at Abby’s words and actions. Empty and silent, the huge room continued to impress me. With no sun, soft grey skylight filtered through the windows. I wheeled a standard spot from the centre of the floor to the wall, its small rubber wheels rumbling along the wooden boards. I was determined to keep the place tidy.
In the darkroom, Merv was at the enlarger, masking a shot of a hand holding a spanner. I could now recognize such things in negatives. The shot was for the cover of a tool catalogue Leigh was doing for a manufacturer in a city to the south.
‘What you want, Stick?’
At least he no longer habitually used that other word for me. I could put up with his insulting nickname. I put the films on the dry bench. ‘Leigh wants you to dev these today and print them ready for tomorrow afternoon.’
‘An’ I want to shove this up you, but you’re scared of it, aren’t you, Stick?’
The gloom of the orange safety lamp hid my outrage. He liked to make me blush. In spite of myself, my eyes wandered to the object of his insult, its head barely peeping from the fist he had curled round it.
The first time he had shown me it, I had been shocked. Later I had seen Leigh without his clothes for the first time. I found Leigh as fascinating as Mervyn was repulsive and wondered why I should feel this difference.
‘Staring, eh? Interested? Must want it up.’
His insinuation inflamed my annoyance more because his words highlighted my guilty contemplation of Leigh than because of what he said.
‘Leigh warned you not to talk to me like…’
‘You tell ‘im an’ I’ll fuck you till you split and bleed…’
‘I tell him, Mervyn and you’re out of work. Think about that.’ And I left before either of us could say more.
Churning over the experience and frightened and disgusted by his threat to hurt me in that way, I went down the ladder to the studio floor, arriving just as Leigh entered with Abby. I could not avoid the comparison: Leigh was larger, limp, than Mervyn, erect. I looked up into Leigh’s face and raised my eyebrows in question, not really wanting to be there whilst the pair of them cavorted in their skins. I still found Leigh’s nakedness in the studio disturbing and embarrassing, even though it was Abby who demanded it.
‘Just whilst we get set up. Once you’ve helped me arrange the lighting and background, you can run off back to the safety of the office.’ He said it with a hint of condescension that had me bristling.
Tight lipped, angry because of Mervyn’s threat, Abby’s scathing display and Leigh’s implied criticism, I pulled spots, floods and reflectors away from the walls into the centre of the room. I dropped the white background paper down, pulling it along to the foot of the tripod and folding the soiled section underneath. The small mat and stool I plonked close to the edge. Abby sat on the stool and imperiously held out her hand for a towel to wipe dust from the soles of her feet before she stepped onto the pristine surface.
Leigh set up the Hasselblad and took the light meter from his case, before he, too, wiped his feet and walked up to Abby.
I watched her pose, thrusting her hips forwards in an effort to reach his as he stood before her. ‘Am I lighting you for pornography or are you going to skip the photography and go straight to the sex?’ I don’t know what made me say it.
Abby gasped and stood up straight. Leigh turned slowly to face me. I knew I had upset him, but I was angry and I felt confused by some emotion inside me that I could not identify but that made me resent Abby’s behaviour with Leigh. Her comment about jealousy still rankled and that made me angrier with her and myself.
‘The issue of sex is between Abby and I. As for pornography, you know I don’t hold with it.’
I recognized the warning in his voice but I was boiling inside with feelings repressed for too long. ‘I wonder why you engage in it so often, if you dislike it so much.’
Abby watched with her hands clutched together and her mouth agape. Leigh gripped the light meter tightly and shook it at me. ‘I don’t know what this is about, Faith, but I advise you to cut it out.’
‘Advise away. It won’t alter the fact that you take pornographic pictures and try to pass them off as something you call art. Anyone with half an eye can see it’s just an excuse to get women to take off their clothes in front of you and make promises with their bodies. Art! It’s sex. That’s all it is. Sex.’
‘There’s nowt wrong with sex. But what I do with my camera isn’t connected with sex in that way. My pictures of women celebrate their beauty.’
His measured tone should have warned me. This mood was a step away from temper. But I had to say what had been building in me for weeks as I learned more facts and more language than I had ever encountered under Father’s narrow tutelage. ‘Celebration? Women showing all they’ve got to all and sundry? It’s exploitation and you know it. No matter how you wrap it up, no matter how you describe it, Leigh, it all comes down to pornography in the end. I just wish you’d be more honest about it, that’s all.’
Leigh must have been doubly insulted, hearing his own words re-arranged and thrown back at him by the pupil he had so recently tried to teach about art and morality.
Abby was almost as cross as Leigh but remained sensibly dumb. Leigh took a step forward and stopped, his control plain in the tense muscles of his whole body. His voice dropped almost to a whisper. ‘If you feel like that, Faith, you’d better leave now. Go!’
‘With pleasure.’ I turned and strode from the studio, my footsteps echoing and hollow. At the door I turned. ‘Will you post my P45 or should I come back for it?’
‘I’ll post the bloody thing, if that’s how you feel.’
I glared at him for a long moment before I turned away. In the office, I gathered my things together, put on my coat and shoes and left at once. I did not tidy up, fearing Leigh might come in and say something else.
Even before I reached the gate, I wondered if he had really meant I was sacked. Had he just expected me to leave the studio? It was too late now. It was done.
I set off down the damp cold lane for the cottage, to face scorn, anger and the well-deserved shame and pain of punishment from Father for losing my job by voicing my own ill-informed opinions.


###

It's great that you want to read the book here. But, if you can't wait for next week's instalment, check the links below. They'll take you to places you can buy either as a paperback or an ebook, depending on your preference.
For those who live locally (East Riding of Yorkshire) you can borrow the book from your local library.

Sample or buy as any format Ebook: https://www.smashwords.com/profile/view/stuartaken
Amazon paperback or Kindle To buy from USA Amazon
Amazon paperback or Kindle To buy from UK Amazon
Apple iDevice:


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Top 12 Reasons to Enter Writing Contests

on Thursday, February 9, 2012
To be awarded to wikinews writing contest winners
Image via Wikipedia

Much has been written about entering writing competitions, so I've decided to add to the topic only with a list of reasons why it might be a good idea for you. There's no priority in the list, for me; the headings are simply as they occurred when I sat down to do this piece. But, for you, there almost certainly will be reasons that are more important than others. Have a read and see what you think.

1.      Kudos:
Some contests are so well-respected by readers and the industry that becoming a prize-winner can truly alter the way you're perceived as a writer. Win the Bridport, the BBC International Short Story, the Aeon Award, for example and you'll gain a great deal of respect from readers and fellow writers.
2.      Cash:
In these hard economic times, a bit of extra income is surely worth considering, isn't it? I won't enter a contest that asks for payment unless the top prize is at least 20 times the value of the entry fee, as I don't consider it a worthwhile investment. But, win one of those contests and your income will definitely increase. For example, on 3 occasions I've won prizes in the Writers' Forum magazine short story contest, for which I paid entry fees of £6, and won 2 second prizes of £150 and a first of £300; pretty good returns, I think you'll agree. And, for those with even less to spend, there are plenty of contests that are free to enter - visit the Writing Contests tab above to find details and links.
3.      Reputation:
Gaining a good reputation amongst readers is paramount to success in the writing world. If you can claim to be a prize winner in any writing contest, it brings such a reputation closer.
4.      Exposure:
We all need to make ourselves known to both readers and the industry professionals. The way in which prize-winners of contests are publicised ensures them a wide audience and drives more people to their work.
5.      Discipline:
Some writers appear to need motivation to encourage them to actually write, rather than just talk about writing. I've never needed such motivation and actually believe that if you do need it then you shouldn't be writing: do something you actually want to do instead. However, for those who do need some specific aim for their writing, entering contests, with their deadlines, is a good way to increase personal discipline and actually get on with the writing.
6.      Experience:
Entering contests is a great way to gain more experience of the actual writing process. You have to produce your best possible work if you're to stand a chance in a contest and this is an excellent way of honing your skills and developing your story-telling faculties.
7.      Verification:
Writing is an isolated act and it's often difficult to know how you're doing. You can, of course, join a writing group (I recommend you to do this, if there's a good, supporting group available), or become involved with a peer group online. But entering contests, especially where the offer of a critique is included, will give you feedback. And, of course, should you win a prize, you have concrete evidence of your writing abilities. But, a word of warning: failing to win a prize doesn't necessarily mean you're writing is no good. It might simply be that the judge wasn't in tune with your story on the day he read it.
8.      Broaden horizons:
It's very easy for a writer to stick to what he knows, to write only for those genres he's comfortable with. Entering themed contests is a way of breaking out of this self-imposed straightjacket and may even show you that you do well in other areas. Certainly worth a try. Who knows? You might become a best-selling author or a world-renowned poet as a result!
9.      Bragging rights:
No matter how shy or modest we are, we all harbour a wish to tell the world how great we are. What better way than to shout out to the world that you're the winner of XXXX contest? Have a go and tell the world how good you are.
10.  Success:
Success, they say, breeds success. Get your entry out there and win a prize. Who knows what may result from that single success? It might just be the start you need or, if you're already established, it may be the success that lifts you from mid-range to best-seller.
11.  Attraction:
We all, well most of us, if we're honest, would love to attract the attention of an agent or publisher (I'm not going into the self-publishing v traditional publishing discussion here - another time, perhaps). Imagine it: you're sitting at your desk, in your bed, at the kitchen table and there's a phone call or a letter from an agent asking if she can represent you. Wow! That's a feeling we all want to experience. I know; I won a prize in a playwriting contest and gained an agent as a result (I'm no longer with him, but that's another story).
12.  Excitement:
The buzz we all get from being acknowledge for our skill, that elation we all experience from recognition, the simple excitement of opening that letter and having the cheque fall out. It's not just the money, is it? It's the fact that someone out there, someone with judgement and taste, has decided that your story, poem, play, essay or whatever is something that stands out from the crowd. Your work has risen above the rest and been selected as outstanding. That's something to be excited about, isn't it?

So, you've reached the end. Have you been inspired? Are you going to enter a contest? I'll repeat what I said at item 2: if you want to get on with it now, you could do worse than visit the page tab entitled 'Writing Contests' above. Basic details and a link to the relevant website should provide you with all you need to get started. Good luck, and let me know of your successes.
And, as always, let me have your views by commenting on the post.

A silly question for you to ponder: Why do toasters always have a setting that burns toast beyond the stage where any decent human being would eat it?

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The Writing Week

on Sunday, February 5, 2012
It's been a busy and productive week, interrupted by a further visit to the dentist, but that job should be finished at the next visit.
The NaNoWriMo novel, titled, An Avenger Unseen, is now well into its next stage of editing. I've read aloud the first 10 chapters and marked these where changes are needed. Once I've completed that part, I shall go back and make all the necessary alterations.
Another blog post is finished and scheduled to appear later this month.
On a walk along the coast (see pic above) with my wife, our conversation inspired another book; that will take some time to compile and write. A philosophical treatise, I'm not yet sure how I'll present it.
This morning I started on a new short story, managing 1400 words in the hour before breakfast.
And I've finally entered a short story in a contest. A 570 word piece for a flash fiction competition listed under the Writing Contests tab above.
I'm continuing to read the current book from my 'to read' list; The Adventures of Sherlock Holmes, on my Kindle. And I've read this month's copy of Writers' Forum Magazine and sent a short letter for their reader's letters page. Time I entered their competition again, I think, having won 3 prizes with them over the years.
So, a reasonable week on the writing front. How did yours go?
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Read My Novel, Free: Chapter 4.

on Friday, February 3, 2012

Breaking Faith is available as a paperback and an ebook. I'm posting individual chapters here, each week, so that anyone who wishes can read the book in full and free of charge.

The Prologue, which begins the novel, was posted on 6 January. Here's the link, in case you missed it: http://stuartaken.blogspot.com/2012/01/read-free-my-novel-here.html.
Chapter 1 was posted on 13 January, subsequent chapters appear each Friday and can be accessed via the archive.

Read, enjoy, invite your friends.


Chapter 4

I walked quickly along the main road, eager to be home and out of the cold. On the crest of the first hill, out of sight of the house, a car was parked by the side of the road, its engine running, exhaust clouding the air behind it.
‘Word wi’ you, twat.’
I glanced at Mervyn then ignored him and continued on my way.
‘Do owt to meck me lose my job an’ I’ll break your scrawny neck. Gerrit?’
His hatred seemed genuine and I shivered with more than cold, wondering what I had done to deserve it. I walked on without looking back but he drove slowly after me and pulled alongside.
‘I’m good at what I do for Leigh. Skinny little twat like you’s not screwing it up for me. Right? Right? I said, Right?’
I refused to look at him and, as he continued beside me, I gathered my courage and dashed behind his car. A ladder style allowed me over the dry stone wall into a field. I did not intend to leave the road at that point but I had to be free of his foul tongue and threats; in the process, I learned a short cut home.
‘Remember it, twat. I mean it!’ His thick, vulgar voice bellowed at me over the barrier.
Then he was gone and silence surrounded me. I hugged myself briefly and strode on, determined not to let his vile threats spoil my victory. It was enough that I would have to face Father with all my news after arriving home late.
Mrs Greenhough’s shop was still open when I reached the dark village, its lights illuminating the fresh snow on the pavement. I had taken that first step; I was working for Leigh. It was time I started to make people alter their views and see the real me. I stopped before the shop door. Who was the real me? But it was not the time or place for such a question.
Mrs Greenhough looked up as I went in and her face quickly set into the one that said she would stand no nonsense. ‘There’s nowt for you here unless you’ve cash, girl. I’ve heard what happened at the Dairy and you’ll have no wages this week. No job; no credit.’
She expected me to leave the shop without a word and go home empty handed to face Father’s wrath. My confidence, however, had grown with my attack on Furnswurth and my success at Longhouse.
‘You may think you know what happened this morning, Mrs Greenhough but I don’t expect you know that I start another job tomorrow.’
She opened and closed her mouth like one of the tiny fish in the beck that ran through the fields below the cottage. No sound came out.
I had said more to her in that one sentence than I had in the past few weeks. ‘I’ll be paid more than I was at the Dairy, before Furnswurth put his hand up my skirt and touched my genitalia. I’m working for Leighton Longshaw at Longhouse now, so I’ll be able to settle the bill at the end of the week as usual.’
For a few more moments, Mrs Greenhough remained speechless. Then she glowered at me. ‘I’ve no idea what’s got into you, girl. But you’re clearly deranged, using language like that! And if you think I’m going to believe that you, of all people, are working for that villain, Longshaw, you’re sadly mistaken.’
I would have been frightened before but my success with Leigh had made me bold. ‘You won’t need the postcard in the window any more, Mrs Greenhough. I’ve got the job as Leigh’s Girl Friday. If you don’t believe me, why don’t you phone him? The number’s on the card. And he’s not a villain, but a gentleman.’
She looked at me as if I were mad and then strode to the window to remove the card. ‘I will! And when I hear the truth, I’ll be telling your good-for-nothing hypocrite of a father what a wicked little miss he’s brought up to lie to folk. He’ll give you the hiding you deserve.’
I decided on a treat to take home as a surprise for Father. No point in getting anything special for Hope, of course.
Mrs Greenhough returned and looked at me in a different way. It was obvious she found it hard to believe what Leigh had told her but she tore up the card. ‘Right. Well, it seems you will be paid, then. That’s different. You can take the things you want and pay on Saturday as usual. Mr Longshaw particularly said I was to thank you for remembering the card, by the way.’
I chose a couple of Eccles cakes, made with butter, to go with the fresh bread and the bottle of milk and a bag of potatoes. ‘Thank you, Mrs Greenhough. I’ll be in later in future, as I’ll be walking home from Longhouse after work. Good night.’
‘Good night, girl, er, Miss Heacham.’
‘My name is Faith.’ I was smiling as I left the shop and the smile remained as I walked through the village. Already my life had started to change, as I had hoped it would when I stood in the snow waiting for the interview.
The final half-mile from the village was no distance in my mood of newfound confidence. I passed the junction where the narrow lane ran round the side of the hill and led to the farm where Mervyn lived with his father and brothers. I shuddered and hoped my confidence was not misplaced. Father would not be pleased at my news but he needed my money and he would accept the change of work. I hoped the new experiences I faced would change me in time; even more than they already had.
There was a low moon shining over the tops of the fells and the trees cast deep black shadows over the drifted snow as I climbed the steep stone track to the cottage.
‘What time’s this, girl?’ Father was in his chair by the fire.
‘Sorry, Father. I’ll get tea on first and then explain. Has Hope been all right?’
‘Any reason she shouldn’t be?’
‘I’ll get tea, then.’
Upstairs in my room, I pulled the old, red satin slip on over my skin for my domestic chores, so my work clothes could remain clean and smart, as Father demanded. The kitchen was cold and cheerless but the hot water thawed out my hands as I washed out my knickers ready for the morning. Cooking brought a little more warmth to smooth away the goose pimples.
With our meal finished, I fed Hope. Then, over a cup of tea and the special cakes, I told him of my day. He remained silent, waiting until I had finished before demanding to know the salary and new hours of work. He grunted over the increase in my wages but was unhappy I would have to set off earlier each morning and arrive home later each evening.
‘Once the snow’s gone, I’ll find a cheap second hand bicycle; that’ll cut the travelling time.’
‘Women on bicycles. Devil’s work.’
‘I just thought it might save a bit of time, and I always wear a long skirt, Father, so…’
‘More expense. All right. I suppose you better had. But let no strangers see your flesh. Give me no further cause to correct you, girl.’
He said nothing about Furnswurth but I expected he would have words with him in private and then decide whether to beat me for my part in the incident.
‘Longshaw’s reputation will suffer less than your own, girl. You’re a fool if you think otherwise. You’re a fool anyway. Mind you give no cause for folk to gossip more than they will. You know the penalty for sin in this house. I’ll have no more whores under my roof. Your mother whored; wicked Jezebel. I scourged her but she was too steeped in wickedness to change the ways of her sex. Let me hear a word of you going the way Eve led and I’ll have the skin off your back. Understand me, girl?’
‘Yes, Father.’
Whilst I washed the dishes in the unheated kitchen, I weighed-up father’s uncharacteristically generous response to my news. No shouting, no lecture and no beating. He must have had a very good day and I offered a silent prayer of thanks for my escape. Even when I brushed the carpet as I cleaned around him, he made no complaint.
The evening’s housework complete, I lifted Hope from her bed beside the wall. Pulling her into a sitting position, I knelt in front of her and let her fall across my shoulder. The worst part, as always, was standing up with her dead weight on me, but I got her out to the back garden and sat her on the toilet. She had grown used to the routine, at last, and I was glad she was quickly finished as the air was freezing with the cloud cover gone. Once I had cleaned her, I got her back to bed.
For an hour, I worked her floppy limbs, bending her joints, curling and straightening her spine. I told her about my day, the weather, the animals I had seen on my walks, what the night sky looked like as I had made my way home. Hope’s expression, as always, remained unchanged, her hazel eyes blank and expressionless.
The exercises done, I filled the bowl with hot water and washed her. There was that strange smell from her again; it was there nearly every day. It seemed to come from a slight milky discharge. I asked Father.
‘Stop worrying. I’ll tell you if there’s anything to concern yourself about. You know nothing, so stop bothering me with what you don’t understand.’
He went back to his book.
She looked sore again and I blamed myself for failing to rub enough cream on that morning. I was generous with it, once I had towelled her dry. I rubbed her skin all over with baby oil to keep it soft and free from bedsores before fitting her overnight nappy.
‘It’s a cold night, Father. Shall I put her nightie on?’
‘You’ll take it off in the morning. I can’t lift her on my own.’
I struggled to pull the brushed cotton over her head, settled her breasts into the bodice and made my usual whispered complaint.
‘Not fair, Hope. Yours are bigger than mine!’ I giggled softly, hoping there might be some reaction to this habitual little joke that included her but left out Father. She made no response, of course. I straightened the skirt beneath her so she was not lying on folds or creases. I brushed her long, dark hair, cleaned her teeth and made sure her nose was clean. With a kiss, I lowered her onto the pillow and covered her with the light quilt.
The coalscuttle was empty so I filled it from the coalhouse next to the toilet and made my own visit whilst out there. The bulb blew as I switched on the light, so I got a new one from the kitchen. Father would be furious if he had to use it in the dark.
I rested the coalscuttle by the fire and stoked the flames with fresh coal and cinders to last overnight. ‘I’m for bed, Father. Goodnight.’
He grunted but did not lift his eyes from the book in his hands.
The bathroom was cold, as always, when I peeled off my slip and washed in a little warm water at the sink. Father came in as I was drying myself.
‘Run my bath, girl.’
He stood and watched as I put in the plug and brought the water to the right temperature for him. My towel slipped off and he hung it on the hook until I was finished.
‘That feels about right, Father. Deep enough?’
He grunted. I took my towel to my bedroom and left him to bathe undisturbed. Once he had finished and left, I returned to drain the bath and clean it. He came back in, wearing his dressing gown, as I was cleaning my teeth. I stood to one side whilst he cleaned his and then finished my own as he went to his bedroom.
It was half past eleven when I knelt beside my bed to say my prayers, the hard boards cold under my knees. At twenty to twelve I slipped, shivering, under the covers. I thought of Hope, wrapped and warm in her nightdress, and wished Father would find me something similar, just for the cold nights.
I set the alarm clock for five thirty so I could get everything done in the morning and start work on time for my first day at Longhouse and the beginning of what I hoped might be a new life.

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