Character Development is Good for You.

An example of my character template. The picture came via Flickr.com
and, if you click on it, it will lead to the photographer's gallery.

Is it possible to write a story without at least one character? I seriously doubt it, even if the ‘character’ is only something inanimate. But is it desirable? Definitely not. Characters are the writer’s means of delivering story. Plot is a framework, a guide, sometimes a straightjacket, that determines a story’s direction and ultimate end. But it’s the character (or characters) who, taking the reader’s hand, guides her through the twists and turns. And the more believable that character can be made, the more thoroughly will the reader engage with the story.

A lot has been written about character development, so I can add to the cannon only by describing my own method. Before I can start any story, I have to know my main characters. In my current fantasy trilogy, which is well under way (Volumes 1 & 2 are written and edited), I’ve so far developed a cast of 83 named characters. Each of these people has a history, biography, physical description and a picture on which I can hang my memory. I know; a lot of people will think there are too many characters here, but this is a tale in the tradition of the epic fantasy, though it’s more adult than many. It’s common in the genre to have a large cast list: think of Lord of the Rings. How I keep track of all these individuals is for another day, another post. For now, I’ll concentrate on how I ‘invent’ my characters.

As an ex-professional photographer, my driving creative muse is visual. So, having determined gender and age, and having a vague idea of what I want the character to look like, I search my catalogue of images of people. Over the years I’ve been writing, I’ve made it a habit to collect pictures of real people I come across on my flights through the matter on the internet. I copy these pictures and assign them a basic designation according to race, gender, age (approximate), and hair colour. I have so far collected a library of around 1,200 from which I can take my pick. (Some of you will be concerned about copyright infringement, but, as these pictures are never published by me, that’s not really an issue).

Having chosen my picture, I attach it to a template on Word in the form of a table, listing physical features, beliefs, relationships, political persuasion, family history and asking the character two questions: 1. What does this person want? 2. What is this person prepared to do to get it? I now have a pretty good knowledge of my character.

At this stage, I use my table of names to select an appropriate name. (I’ve a document listing over 10,000 names, sorted alphabetically and by gender, with annotations showing the nations that use the name. For access to that list, please visit the tab above, labelled ‘Tools & Links’ where you’ll find a .pdf version that you can copy/print for your own use.) For my fantasy, since I’ve invented a whole world along with everything that goes with it, I’ve made up my character names and tested each against Google to ensure I’m neither using one that already exists, nor naming somebody by using a word that means something inappropriate in another language.

I now have my character with name, age, physical attributes and belief system. I also know what motivates that character and what that character is prepared to do in order to achieve any ambition. That gives me a pretty rounded person to put on the page before I even start writing the story. This may seem a lot of work, but in my experience, the bulk of writing is preparation. Once I have my characters and locations and any historically factual information that may be relevant, I can start the story. I find that the preparation allows me to write very quickly. I always place hyperlinks in the story to each of my character’s bio pages so that I can quickly check to make sure I haven’t either changed some physical aspect or turned a peace-loving pagan into a warrior extremist.

So, there you have it: my method of creating and developing characters. Once they are on the page, I allow them to guide the story for which I only ever have a very loose framework, or none at all. Often, they take me along roads I didn’t know existed. I love that. I learn a great deal along the way, as well. Character is vital to the story; we neglect it at our peril.

This post first appeared as a guest post on Brian Hayden’s Blog where you will find lots of other interesting stuff.

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The Unheard I, by Kiriti Sengupta, Reviewed.

This short piece of esoteric literature came my way via contacts on Facebook. The book is divided into three sections: A Serious ToF (Twist of Fate); Yogic Poetry: the Indian Heritage; The Translator ‘I’. So, I think you will realise this is not a work of interest to what might be called the ‘common reader’. It is a scholarly piece that will appeal to those with an interest in poetry, particularly spiritual poetry expressed as literature, as well as those who have a leaning toward or a significant interest in Indian myth and religion.

The Twist of Fate referred to above is an anthology of pieces collected together to present to readers as a way of gathering funds to help those left in distress by the tornado that hit Oklahoma in May 2013. And this first chapter of the book is a presentation of the author’s experiences in contributing to that anthology.

Poetry, let alone Yogic Poetry, is a genre of which I have little experience. My admiration of the craft lies within the bounds of the variety of works produced by the two Dylans (Bob and Thomas). And my knowledge of Indian culture is minimal. So, I found this section both illuminating and confusing. The many references to the Yogic culture were lost on me, but the general sense of spirituality came through.

The Translator ‘I’ deals with the author’s work and attitudes regarding translation as a craft. He is an acknowledged translator of work from Bengali to English. I’m no linguist, but I have always admired the skill that allows those who understand more than one language to translate not just words but meaning. The ability to convey the essence of a piece written in one language when converting it into another is almost magical to me.

So, not a general reader’s book, but a piece of work that will undoubtedly find favour with those interested in the subject matter discussed. It is to those readers that I recommend the book.

The book is currently only available via Smashwords; link here.

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The Rescued Heart, by Madeleine McDonald, Reviewed

Madeleine McDonald’s The Rescued Heart is a good old-fashioned romance, set in modern times in

Switzerland and Edinburg. The story deals with the burgeoning romance between Ellen, a Scottish widow and Christian, a Swiss artist, with the banker, Philip, as the villain. It’s a romance and therefore written with a female readership in mind, since that’s what the publishers of romantic novels expect of their authors.

So, what’s an ancient male doing reading such a book? Well, for a start, I’m just an old romantic. And, secondly, as a writer who enjoys incorporating romance into his own books, it’s helpful to know what readers expect.

Those familiar with my reviews will know that the most important element for me is character. Here we have two main protagonists and one antagonist. All three are skilfully drawn and I easily formed empathy with both Ellen and Christian, whilst quickly disliking Philip. So, it became a book I wanted to read on from the earliest pages. The ancillary characters, principally Ellen’s teenage daughter and son, are drawn with as much care and skilful observation as the main three.

The story takes a number of unexpected twists as it travels through the contemporary landscape of the Swiss art festival and the more familiar countryside of the Scottish family. There are lovely contrasts between the staid and the spontaneous. And there is building tension in the relationship between Ellen and her erstwhile friend, Philip, as his real personality and motives are revealed. Christian is a true artist, with all the freedom of spirit that entails. Further complications are introduced through the appearance and attitudes of the children.

In romantic fiction, true love never runs smooth and this tale has its fair share of ups, downs, twists and turns. There are threads of tension that build toward the very satisfactory denouement, encouraging the reader to read on. This is a book that makes you want to read to the end. Modern romance often seems to be a euphemism for erotica. Not so in this case. Whilst there are sensuous elements, all that happens in the bedroom remains hinted at rather than explicitly displayed.

So, this is a love story, involving mature lovers who find themselves brought together in unexpected circumstances and who fall in love in the most natural way. I found myself rooting for Ellen, whilst feeling frustration at her doubts and insecurities. I wanted Christian to win the day with her and I wished Philip out of Ellen’s life. Were my wishes fulfilled? You’ll have to read the book to find that out.

I enjoyed the read and loved the descriptions of the locations; places I’ve never visited in fact but that I could see as I travelled with the lovers. Madeleine is a gifted writer and she tells a great story. If you like your romance to deal with love and the trials that lead that love across the barriers of real life, you’ll enjoy this book. I thoroughly recommend it.

A Fantastic Talk on Marketing.

Dan Grubb

Like many writers, I loathe the whole paraphernalia of marketing. But, also in common with most writers, I want my books to be read. This produces a bit of a problem, since there are so many books published that authorial silence is hardly likely to produce much in the way of attention from the reading public.

My writers’ group, an amazing mix of professional scribes who call themselves ‘Hornsea Writers’, for the very good reason that Hornsea is their geographical meeting place, had the opportunity this week to have a talk delivered by independent publisher, Fantastic Books Publishing’s CEO, Dan Grubb. He gave us a talk on, you’ve guessed it: marketing.

Amazing, inspiring, informative and, above all, entertaining, Dan’s talk was delivered with passion and professionalism, which is no surprise, given the way he runs his business. I’m not going to précis the content here, since Dan’s producing his own blog on that (I strongly suggest you subscribe to his weekly newsletter here, so you can catch that when it appears.)

But I will pass on a couple of his pointers:

·      If you don’t already belong, join these sites and be active – Facebook, Google+, Goodreads, Twitter, Pinterest, Tumblr,  Stumbleupon and Youtube. And, if you don’t already blog, DO! Blogger or Wordpress are probably the best free sites for that. Connect ALL these sites.

·      Whenever and wherever you post, make it engaging and interesting. There’s huge competition out there and it’s easy to be ignored and/or rejected, so give your readers something that’s of value to THEM.

It isn’t often that a small writers’ group, some of whom are quite tall, gets a talk from a publisher, so it’s as well for members to take heed of what they hear. What did I take away from his presentation?  Well, many things. But, principally, I was inspired to take a more positive view of marketing. To view it not simply as a sales platform but as a way of interacting with actual and potential readers. Now, that is something I can do with pleasure. In fact, it’s why I write this blog.

So, look out for Dan’s blog post, visit his website at Fantastic Books Publishing, and follow his advice there. Meantime, please connect with me on the sites listed above. The more connections we all have, the greater the chance that we can help each other.

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